tag:blogger.com,1999:blog-43465838017939880522024-03-15T15:26:54.488+01:00SpainLifestyle.com - Arts and Culture SpainLifestyle.com is the ultimate educational website for people who want to travel and live in Spain and study its rich culture, art and history. Unknownnoreply@blogger.comBlogger194125tag:blogger.com,1999:blog-4346583801793988052.post-72920310091021163572024-02-23T12:16:00.006+01:002024-02-23T12:51:49.640+01:00The Conquest of Huesca" by Ulpiano Checa<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjekVsNNkDBSnRU7dZAu9OtczMUlcspN_sc1KxRPG4KaSEaLEXc4e9PnysANqkyYpLEXhn87Ki-gNPa-D5kPXYq7uq99pQocld8OiylZejlFdBPJ8oT0yNpPqAVXu2VRm_hgNaQhz7kE7YZiSP4GOPmD_LY_LbI1YZE-Zw9t6rzeuzOyRCe6EiZB8tgdFI/s2467/DSC04426.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1740" data-original-width="2467" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjekVsNNkDBSnRU7dZAu9OtczMUlcspN_sc1KxRPG4KaSEaLEXc4e9PnysANqkyYpLEXhn87Ki-gNPa-D5kPXYq7uq99pQocld8OiylZejlFdBPJ8oT0yNpPqAVXu2VRm_hgNaQhz7kE7YZiSP4GOPmD_LY_LbI1YZE-Zw9t6rzeuzOyRCe6EiZB8tgdFI/w400-h283/DSC04426.JPG" width="400" /></a></div><br /><p>This painting is quite large; unfortunately, I couldn't ascertain its exact dimensions. However, it proudly hangs high above the central courtyard of the Museum in Siguenza. You can view it directly from the second-floor gallery.</p><p>It depicts the Battle of Alcoraz, an armed encounter that took place on November 15, 1096, near Huesca, involving Aragonese and Pamplona troops on one side and Muslim troops from Zaragoza supported by Castilian forces on the other.<span></span></p><a name='more'></a><p></p><p>Context:</p><p>Following the death of Sancho III the Elder, king of Pamplona, and the establishment of the young Kingdom of Aragon under Ramiro I (1035-1063), comprised of the former County of Aragon along with the adjacent Pyrenean counties of Sobrarbe and Ribagorza, both Ramiro I and his son Sancho Ramírez sought to solidify the new kingdom around Jaca and assert regional power over the territories of the Marca Superior del Al-Andalus centered in Zaragoza. This expansion began with the occupation of several fortresses along the Gállego and Cinca rivers. After initial advances, "in 1093, Sancho and Pedro had fortified positions that weakened the resistance of Tudela, Zaragoza, Huesca, and Tortosa, as well as strategically important castles for the control of lands including Castellón" (Arguedas, El Castellar, Montearagón, Salou, Culla, Oropesa, Montroig, Miravet, and Castellón).</p><p>Huesca held significant strategic importance, and its control solidified prior territorial gains, rendering them nearly irreversible. Therefore, Sancho Ramírez attempted to seize it in 1094, but he died during the siege while inspecting the city walls.</p><p>Battle:</p><p>The Aragonese army, led by King Pedro I of Aragon and Pamplona, laid siege to the city of Huesca from their encampment established at Montearagón Castle and Pueyo de Sancho, a fortress built temporarily on San Jorge hill, located 3 km west of Huesca along the route to Zaragoza, where Pedro I positioned his squadrons.</p><p>The battle reached a stalemate when the Muslim armies of Al-Musta'in II arrived from Zaragoza, supported by Castilian forces under the command of Count García Ordóñez and Gonzalo Núñez de Lara. According to tradition, Saint George appeared on the battlefield in support of the Aragonese, who ultimately emerged victorious. The assistance provided by the Castilians to the Muslim king proved futile.</p><p>Consequences:</p><p>Following this triumph, the city of Huesca was definitively captured on November 26 of that year, marking the first Muslim city to be incorporated into the Kingdom of Aragon.</p><p><a href="https://en.wikipedia.org/wiki/Ulpiano_Checa"> READ MORE ABOUT THE ARTIST</a></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-12214116321406880202024-02-23T11:46:00.003+01:002024-02-23T11:46:31.820+01:00Museum of Antique Religious Art of Sigüenza-Guadalajara’s Diocese<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtmvSf_xjPZMmWJ9sbVbVlep6HPy7UQLbpCyVt1lQ99XW64oAy4C2-bs7SwMqEilujJQVDLDJrm9iGnDK528yGaGqbUSEO0ECeLOqB2JaEnhMO4Sa1XbaCS8w8NAArkBEo_VKb-Yqts7-9Z4rhhL4S1BiGeSmkZUqYFf4Jf6wJtRbBb76-LgY6MJnqB88/s2592/museum.siguenza.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1944" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtmvSf_xjPZMmWJ9sbVbVlep6HPy7UQLbpCyVt1lQ99XW64oAy4C2-bs7SwMqEilujJQVDLDJrm9iGnDK528yGaGqbUSEO0ECeLOqB2JaEnhMO4Sa1XbaCS8w8NAArkBEo_VKb-Yqts7-9Z4rhhL4S1BiGeSmkZUqYFf4Jf6wJtRbBb76-LgY6MJnqB88/w480-h640/museum.siguenza.jpg" width="480" /></a></div><br />The Museum of Antique Religious Art of Sigüenza-Guadalajara’s Diocese is located in a 16th-century neoclassical small palace known as "The Barrena's Old House," which belonged to the Gamboa family for four hundred years until 1923. (In the last century, it served as a hotel, a neighbor's house, and a branch of a bank.) <p></p><p>Don Lorenzo Bericiartúa Valerdi, while serving as bishop of this diocese, purchased the building in 1956 with the intention of converting it into the Diocese's Museum. However, it was his successor, Don Laureano Castán Lacoma, supported by the nuncio Luigi Dadaglio, who officially inaugurated it on May 11th, 1968. Initially, the exhibition only occupied the ground floor of the building, but in 1972, it was extended to include the first floor. Currently, the museum occupies the entire building.</p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-69244710179956645582024-02-12T15:29:00.004+01:002024-02-14T12:42:07.124+01:00TRISTANA * Friday Film @ 4pm<div class="separator" style="clear: both; text-align: center;"><b style="color: #cc0000; text-align: left;"><span style="font-size: x-large;"><span style="background-color: #fce5cd; font-family: times;">Friday Art Film</span></span></b></div><div class="separator" style="clear: both; text-align: left;"><span style="color: #cc0000;"><span style="font-size: x-large; font-weight: 700;"> </span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQXK0lJG8SWfk2J_tRiVxPuaa3o6CUQWgIKA2yB7HVak4WVtChxlD8A5_ZIpy2dsVRA1MDoDZH3pdvDfWU0VB95cQSWbTOFXGZS7c9RQuje5XXQASE6iOlqFppqcq9tum403O3O4BkNXU/s1600/tristana-653294357-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="353" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQXK0lJG8SWfk2J_tRiVxPuaa3o6CUQWgIKA2yB7HVak4WVtChxlD8A5_ZIpy2dsVRA1MDoDZH3pdvDfWU0VB95cQSWbTOFXGZS7c9RQuje5XXQASE6iOlqFppqcq9tum403O3O4BkNXU/w470-h640/tristana-653294357-large.jpg" width="470" /></a></div><div class="separator" style="clear: both; text-align: left;"><b style="color: #cc0000; text-align: center;"><div style="font-size: xx-large; text-align: left;"><b>TRISTANA </b><b>by Luis </b><span style="color: #cc0000; font-size: xx-large;">Buñuel</span></div></b><b><br /><span style="font-family: courier; font-size: medium;">* Friday, February, 16, 2024 at 4pm <br /><br />*Darocas Studio Benitachell<br /><br />*Fee: donation<br /><br />*Introduction by Karla Ingleton Darocas, B.A. (Hons)</span></b></div><div class="separator" style="clear: both; text-align: left;"><b><span style="font-family: courier; font-size: medium;"><br /></span></b></div><div class="separator" style="clear: both; text-align: left;"><a href="https://www.spainlifestyle.com/p/classroom-registration.html" style="background-color: white; color: #3778cd; font-family: Verdana, Geneva, sans-serif; font-size: 14px; margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="93" data-original-width="200" height="93" src="https://blogger.googleusercontent.com/img/a/AVvXsEhy6ocuKbJzgqxgC-6mptAiTs8Kv88FUzai3miqGXbm3AUZRdJr1zYAaL7G9SikguMVPoCu9nrShGbiVgpA4q6RpEBeQ1-9qY2O_qEvtWoNMItTJIllwm2Ar7fsjRUt-ZvHi_T_B9_vGld57cDvC0goLKbBuzNr8hX2kUMK0CTC36y__XggnEQjcNm9DI4=w200-h93" style="background: transparent; border-radius: 0px; border: 1px solid transparent; box-shadow: rgba(0, 0, 0, 0.2) 0px 0px 0px; padding: 8px; position: relative;" width="200" /></a></div><div class="separator" style="clear: both; text-align: left;"><b style="color: #cc0000; font-size: xx-large; text-align: center;"><br /></b></div><b>
<span><a name='more'></a></span>ABOUT THE FILM</b><br />
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Tristana is a 1970 Spanish film directed by Luis Buñuel (1900 – 1983). Based on the eponymous novel by Benito Pérez Galdós, it stars Catherine Deneuve and Fernando Rey and was shot in Toledo, Spain.<br />
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The story is set in the late 1920s to early 1930s. Tristana is an orphan adopted by nobleman don Lope Garrido. Don Lope falls in love with her and thus treats her as wife as well as daughter from the age of 19. But, by age 21 Tristana starts finding her voice, to demand to study music, art and other subjects with which she wishes to become independent. She meets the young artist Horacio Díaz, falls in love, and eventually leaves Toledo to live with him. When she falls ill, she returns to don Lope.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV4tsx6HVc-_GwdMMAScJAlnt5Uql8ER4sHTye5s4XYn857muLc-yiesaXtiPEB0zevs1H1O_5m8KwZ8_Egi9k5q2ZEGxOnM9Trg21oOQ8sB-UPnwiqYZCS1hjgPwTWwuNM7dtvBx6bLY/s1600/tristana_efespfive527160-713323.jpg_1306973099.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="365" data-original-width="660" height="176" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV4tsx6HVc-_GwdMMAScJAlnt5Uql8ER4sHTye5s4XYn857muLc-yiesaXtiPEB0zevs1H1O_5m8KwZ8_Egi9k5q2ZEGxOnM9Trg21oOQ8sB-UPnwiqYZCS1hjgPwTWwuNM7dtvBx6bLY/s320/tristana_efespfive527160-713323.jpg_1306973099.jpg" width="320" /></a></div>
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Buñuel wanted Tristana to be his triumphant return to Spain after living exiled in Mexico for several decades. Buñuel travelled to Spain in the spring of 1969 to begin work on the film, and was immediately sidetracked by the Spanish censors. Spain's Franco government made it difficult for Buñuel to get his films approved, but it finally was allowed.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivMjRVKtFwfMea-wS1BVG1nO4kqYufKJjRJZ0ALlkALSgeJgc-nl5g_hP18SjfoYzSWrnwYIgu-dRuAbS9mjgwmzkdy0sEIdtO9i74G69486lkDo3QBlvh-kdfD6q17ieLF9QsagQdql0/s1600/71HjSMuNd-L.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1255" data-original-width="859" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivMjRVKtFwfMea-wS1BVG1nO4kqYufKJjRJZ0ALlkALSgeJgc-nl5g_hP18SjfoYzSWrnwYIgu-dRuAbS9mjgwmzkdy0sEIdtO9i74G69486lkDo3QBlvh-kdfD6q17ieLF9QsagQdql0/s320/71HjSMuNd-L.jpg" width="219" /></a></div>
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ABOUT THE AUTHOR OF NOVEL<br />
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Benito Pérez Galdós (1843 – 1920) was a Spanish realist novelist, considered second only to Cervantes in stature as a Spanish novelist. He was the leading literary figure in 19th century Spain.<br />
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Galdós is critical of the Catholic Church as a dominant force in Spanish cultural life. He attacked what he saw as abuses of entrenched and dogmatic religious power rather than religious faith or Christianity per se. In fact, the need for faith is a very important feature in many of his novels and there are many sympathetic portraits of priests and nuns.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZA0LugEWDo7XEzBEL_KUwKkTL-yptnOH8UjqVBxBIWcaDxa4bhjQNi5mUwbkWzfy_IaKf3V_Xwm1_DqgMyE2JedThm2N4EcTBx7iVkyd7zeXrPqQ6IB8Kq9Tj0WiqsUgm7TAoQNdpYBM/s1600/Perez_galdos.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="800" data-original-width="1045" height="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZA0LugEWDo7XEzBEL_KUwKkTL-yptnOH8UjqVBxBIWcaDxa4bhjQNi5mUwbkWzfy_IaKf3V_Xwm1_DqgMyE2JedThm2N4EcTBx7iVkyd7zeXrPqQ6IB8Kq9Tj0WiqsUgm7TAoQNdpYBM/s320/Perez_galdos.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Benito Pérez Galdós BY Joaquín Sorolla</td></tr>
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-74209333488889606392024-01-22T18:05:00.000+01:002024-01-22T18:05:53.688+01:00ADULT EDUCATION * ARCHITECTURAL & HISTORICAL JÁVEA WALK <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFs-FhVNaX7am1G6RySWiJdo2RMbJCHYGCDY9FU7dHyP0vVf5KCZRoXtj3LRziAfFwYz9hPhXQ1xatACZVWaSqKBMEZRKlR274SJiLr_k4S9LXTSdpvNUxY-xS2DRaHI2UVLRcKGl2Xkk/s1600/JAVEA.WALK.jpg" style="font-size: large; margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1220" data-original-width="1220" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFs-FhVNaX7am1G6RySWiJdo2RMbJCHYGCDY9FU7dHyP0vVf5KCZRoXtj3LRziAfFwYz9hPhXQ1xatACZVWaSqKBMEZRKlR274SJiLr_k4S9LXTSdpvNUxY-xS2DRaHI2UVLRcKGl2Xkk/w400-h400/JAVEA.WALK.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: left;"><b style="text-align: left;"><span style="color: #cc0000;"><span style="background-color: white;"><span style="font-family: inherit;"><br /></span></span></span></b></div><div class="separator" style="clear: both; text-align: left;"><b style="text-align: left;"><span style="color: #cc0000;"><span style="background-color: white;"><span style="font-family: inherit;">Explore and Learn About JÁVEA by visiting its historical architecture and monuments with Arts Historian, Educator & Author</span><span style="font-size: large;"> </span></span></span></b></div><div class="separator" style="clear: both; text-align: left;"><span style="color: #cc0000; font-family: inherit;"><b>- Karla Ingleton Darocas, B. A. (Hons)</b></span> </div><div style="text-align: left;"><span><br /></span></div><div style="text-align: left;"><b> BOOKING INFO & FORM</b></div><span><a name='more'></a></span><div style="text-align: left;"><b> </b></div><div><ul><li>Must Register Your Date . </li><li>10 - 13 H </li><li>Old town of Xàbia / Jávea exploring the eras from the 14th - 20th centuries</li>
<li>Examine both civic and sacred buildings in their architectural, historical context and / or family associations.</li>
<li>Examine the exterior & interior of the Church of San Bartolomé including the architecture, altars, chapel, polychrome statues, and artworks</li><li>Visit the Museum to examine the geographical map of the village and other points of interest<br /><span><!--more--></span></li>
</ul><div><span style="color: #cc0000;"><b><div class="separator" style="background-color: #ffd966; clear: both; color: black; font-size: medium; font-weight: 400; text-align: center;"><div class="separator" style="clear: both;"><br /></div></div><span style="background-color: #ffd966; color: black; font-size: large; font-weight: 400;"></span><br style="color: black; font-size: medium; font-weight: 400;" /></b></span><div style="text-align: left;"><span style="color: #cc0000;"><span><span style="color: black;"><span style="background-color: white;"><b>MEETING PLACE: Central Indoor Market * The Café Bar MERCAT
- Come early for your coffee. </b></span></span></span></span></div><div style="text-align: left;"><span style="color: #cc0000;"><span><span style="color: black;"><span style="background-color: white;"><b><br /></b></span></span></span></span></div><div style="text-align: left;"><span style="color: #cc0000;"><span><span style="color: black;"><span style="background-color: white;"><b>T</b></span></span></span></span><span style="background-color: white;"><b>IME: 10:00 H * Exactly!!! The tour is approx. 3 hours depending on bathroom breaks :) </b></span></div><div style="text-align: left;"><span style="background-color: white;"><b><br /></b></span></div><div style="text-align: left;"><span style="background-color: white;"><b>FEE 15 euros per person: includes LECTURE & WALKING ROUTE / MAP, in case you get lost or separated from the group </b></span></div><div style="text-align: left;"><span style="background-color: white;"><b><br /></b></span></div><div style="text-align: left;"><span style="background-color: white;"><b>MAX. Six 6 people </b></span></div><div style="text-align: left;"><span style="background-color: white;"><b><br /></b></span></div><div style="text-align: left;"><span style="background-color: white;"><b>END OF WALK: Get a beverage and Q & A time... </b></span></div><div style="text-align: left;"><span style="background-color: white;"><b><br /></b></span></div><div style="text-align: left;"><span style="background-color: white;"><b>PARKING in the Municipal Parking Lot.</b><span style="font-size: medium;"> </span></span><a href="https://goo.gl/maps/cHyXQshThEwfDmLL6" style="background-color: #fcff01; font-size: large;">CLICK</a></div></div><div><span style="color: #cc0000; font-size: large;"><br /></span></div><div><span style="color: #cc0000; font-size: large;"><br /></span></div><div><span style="color: #cc0000; font-size: large;"><b style="background-color: #ffd966;">REGISTER YOUR WALK * FILL OUT FORM</b></span></div><div><span style="color: #cc0000; font-size: large;"><b style="background-color: #ffd966;"><br /></b></span></div><div><span style="font-size: large;"> <iframe allowtransparency="true" frameborder="0" height="787" sandbox="allow-top-navigation allow-scripts allow-popups allow-forms allow-same-origin allow-popups-to-escape-sandbox" scrolling="no" src="https://darocasmedia.wufoo.com/embed/x14yt6xm1p891t2/" style="border: none; width: 100%;" title="Embedded Wufoo Form">
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</span></div><div><span style="color: #cc0000; font-size: large;"><b style="background-color: #ffd966;"><br /></b></span></div><div><span style="color: #cc0000; font-size: large;"><b style="background-color: #ffd966;"><br /></b></span></div><div><span style="color: #cc0000; font-size: large;"><b style="background-color: #ffd966;">RESOURCE BOOKS</b></span></div><div><br /></div><div><div style="background-color: white; font-family: Verdana, Geneva, sans-serif; font-weight: 700; text-align: center;"><div><span style="font-family: inherit;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrwderMzorvrnlOdkD1qlfLMyhe_ATGd0-vIoHBWzvX4AxDaO52ynBHsfE0h2Vs0z873lIPX61VoykGcnXdRQdG2__4bL9XXhV5-5gEbylbNr8Ztc0iZVX4Ikm-i_r7Ic3IT_ZlU_eGQc/s654/JAVEA.KARLA.DAROCAS.jpg" style="clear: left; color: #7f0d00; float: left; font-size: medium; margin-bottom: 1em; margin-right: 1em; text-decoration-line: none;"></a><div class="separator" style="clear: both; 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background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 1px solid rgb(236, 236, 236); box-shadow: rgba(0, 0, 0, 0.1) 1px 1px 5px; padding: 5px; position: relative;" width="250" /></a></div><div style="color: #f02600; font-size: 15.4px; font-weight: 400; margin-left: 1em; margin-right: 1em; text-align: left;"></div></div><br /><div style="text-align: center;"><span style="color: #073763;"><span style="font-family: inherit; text-align: left;">GOTHIC GLORY</span><span style="font-family: inherit; text-align: left;"> </span><span style="font-family: inherit;">OF JÁVEA</span></span></div></div></span></div><div style="text-align: center;"><span style="color: #cc0000; font-size: medium;">A Historical and Architectural Adventure</span></div></div><div style="background-color: white; font-family: Verdana, Geneva, sans-serif; font-weight: 700; text-align: center;"><div style="text-align: left;"><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><span style="background-color: yellow;"><div style="color: red; text-align: center;"><a href="http://www.spainlifestyle.com/2019/11/the-medieval-gothic-glory-of-xabia-javea.html" style="color: #7f0d00; text-decoration-line: none;" target="_blank"><span style="font-size: medium;">CLICK HERE</span></a></div><div style="color: red; font-size: x-large; text-align: center;"><br /></div><div style="color: red; font-size: x-large; text-align: center;"><br /></div><div style="color: red; text-align: center;"><span style="font-size: medium;">****</span></div><div style="color: red; text-align: center;"><span style="font-size: medium;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO6GCnNnysypnJVHr_FBR2ddDbH2cP3jLyKIkPB7QIq_wWBF9Ux8TfZ7qOENBjXlkU2JCfusk4C2c1qFaYV8yuPdzILymVKVtrS6OgvEBuZSDSfUc5CUZjEBAkSf8aCEbLHU5qZCcZ15M/s605/javea2.front.jpg" style="color: #7f0d00; font-size: large; margin-left: 1em; margin-right: 1em; text-align: left; text-decoration-line: none;"><img border="0" data-original-height="605" data-original-width="469" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO6GCnNnysypnJVHr_FBR2ddDbH2cP3jLyKIkPB7QIq_wWBF9Ux8TfZ7qOENBjXlkU2JCfusk4C2c1qFaYV8yuPdzILymVKVtrS6OgvEBuZSDSfUc5CUZjEBAkSf8aCEbLHU5qZCcZ15M/w248-h320/javea2.front.jpg" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 1px solid rgb(239, 239, 239); box-shadow: rgba(0, 0, 0, 0.1) 1px 1px 5px; padding: 5px; position: relative;" width="248" /></a></div><div style="color: red; text-align: center;"></div><div style="text-align: center;"><div style="background-color: white; text-align: left;"><span style="background-color: yellow; font-size: medium;"><div style="text-align: center;"><div><span style="color: #20124d;"><div style="text-align: center;">JÁVEA</div></span></div><div style="color: #0d007f; text-align: center;"><span style="color: #cc0000;">Historical Stories of Prominent People & Places</span></div></div></span></div><div style="background-color: white; color: #0d007f;"><div style="text-align: left;"><span style="background-color: yellow; color: red; font-size: medium;"><div style="text-align: center;"><br /></div><div style="text-align: center;"><a href="http://www.spainlifestyle.com/2020/01/omnibus-collection-of-historical-essays.html" style="color: #7f0d00; text-decoration-line: none;" target="">CLICK HERE</a></div></span></div></div></div></span></div></div></div>
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<span style="color: #990000; font-size: large;"><b>FEEDBACK</b></span><br />
<div><br /></div><div><div><span style="background-color: #ffd966;">"I learned things that I never knew about Javea. I also saw the architecture from a different perspective. I am interested in learning about where I now live, and this walk helped me to understand this town's history.</span></div><div><span style="background-color: #ffd966;">What I like about Karla's teaching is that she allows lay people to understand architectural styles in context" - Rhona Wells, Javea</span></div></div><div><br /></div><div><br /></div><div>"We enjoyed a beautiful weather walk in Jávea on October 8th 2021. Having lived here for 40 years, my husband and I were curious to find out if we could learn anything new about the history and the old town. Well, no disappointment there! </div><div>After the walk, we spent most of the afternoon at home going over the very interesting details in history, architecture, art, and even streets & chapel that we had never seen or been before in all those years! Absolutely worth the walk and visit to this precious historical centre of a town that we cherish in our hearts. Karla cannot stop explaining and answering questions. She is a super enthusiast - a living encyclopedia" </div><div>- Bruce & Trudi McNeely-van Dorp, Benitachell</div><div><br /></div><br /><div><span style="background-color: #ffd966;">
"The walk opened my eyes to look in-depth at many buildings I walk past all the time. The talk was absolutely fascinating and highly detailed. Karla communicates in a friendly and accessible manner; answering questions in an enthusiastic way that demonstrates her depth of knowledge and willingness to share her knowledge and encourage interest to those with her. Karla's teaching method is friendly and easy to understand. I recommend her lectures and walks." ***** Nicky Clark - Javea</span><br />
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"I learned about the history of the major buildings in the old town. I have been on similar walks in the past but I felt this was more informative and spontaneous. I like the way Karla uses modern phrases that are succinct with their meaning. I would certainly recommend her teaching." ***** Wendy Loxley, Javea<br />
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"I have lived in Javea for many years but did not know much about the history of the town. Karla brought the past to life and linked the history to art and architecture of the times. I will now revisit the places we visited during the walk, particularly the museum, to learn even more. Karla is excellent at explaining the history and making it interesting."<br />
Thank you Karla, ***** Karen Stephens, Javea</span><br />
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"We had a very enjoyable morning with Karla wandering the streets of the pueblo that we have walked many times before, but this time with fresh eyes and ears. We learned so much on our walk, about Valencian Gothic, including Isabelline architecture. We also learned about the three great periods of prosperity in Javea. Each period contributing to the architecture that surrounds us in Javea, the reason why Javea is considered to be an architectural gem… the use of Tosca stone, unique to this area.... and why a raisin or pasa , became known as a sultana!<br />
We love Karla’s art lectures, and now we love the walks as well. Karla has an inimitable teaching style that raises smiles at the same time as educating. I would definitely recommend her teachings. " ***** Gladys and Ian Cummings<br />
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"I learned a lot about architecture in the Old Town of Jávea. I have lived here now for 13 years and have discovered a lot of treasures over time, however, Karla's tour opened my eyes even more to historical details and the beautiful architecture (e.g. the church, the market hall, and the numerous mansions and palaces with an inner courtyard). What a 'rich' place we live in. I appreciate Karla's huge knowledge about art and architecture as well as her ability to draw attention to detail. I absolutely recommend her teaching."<br />
Karla - thank you for this wonderful tour! ***** Angelika Goette, Jávea</span><br />
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"Being new to the area, Karla is opening up a whole new culture for me. I feel I'll be "more at home", more comfortable with my Spanish surroundings. She's so natural with her knowledge. She's a pleasure to listen to. I definitely recommend her" ***** Josette Jouas, Denia<br />
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"I learned many interesting facts about the life of Javea - the importance of raisins, etc in the wealth of this town. The difference between palaces & mansions, the use of Tosca, Franco’s memorial & more. Karla's style of teaching is knowledgeable & enthusiastic. I would recommend it" ***** Jo Connell, Moraira</span><br />
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"I learned about the origins of the building that is now the covered market and more about the 'Franco' memorial and the Bolufer and Arnaud mansions plus loads more. I had always wondered why the churches in American cowboy films looked like those in our small Spanish village and now I know why! Karla has a relaxed approach to her teaching with plenty of interesting facts. I definitely recommend her classes." ***** James Ward in Javea</div><div><br /></div><div><br /></div><div><div><span style="background-color: #f1c232;">"Great walk with Karla this morning. I learned so much about the old town and its history. The fact that I've been in the tourist office many times but never noticed the glass floor really impressed me. I didn't bring it up at the time but wondered why the statue of Loretta by Franco's monument was facing towards the church and not out to sea, if it was there for protection. Thoroughly recommend it"</span></div><div><span style="background-color: #f1c232;">***** Eileen Jackson, Benitachell</span></div></div><div><br /></div><div><br /></div><div>"I have been visiting Jávea and surrounding areas as a tourist for a decade. I moved to Gata De Gorgos permanently 2 months ago & wanted to find out about my new home & surrounding areas. Jávea is a favourite place of mine & I would recommend Karla’s Javea Walk to anyone new to the area or anyone who wants to find out more. The tour was informative, engaging & has inspired me to return/find out more. Karla is passionate & this shone through in this tour & was much appreciated. She is informative, engaging & made whatever being discussed come to life. Yes, yes & yes I recommend Karla."</div><div>***** Linda Lockwood, Gata De Gorgos</div><div><br /></div><div>***</div><div>**</div><div>*</div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-56819042104668996512023-11-13T11:23:00.002+01:002023-11-13T11:23:42.976+01:00THE MAJESTIC 'VIRGIN OF THE CARTHUSIANS' BY FRANCISCO DE ZURBARÁN<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4SN_W835aswP3lzBWwOTdZnvf4yvhBiGWgUw32c4IDyOK75TvrS0MPKEa6-C8l1fIW20JUSG63bKXSKrO25R9IT6evYAh7l6LvJ791sxpLu6xg0zKvyLnrrcHZkySkbUtJQSO_tCcdmxaT4-UcF6iXxTCLZTmkSB-2gZr8FVK70EvmhuTh3V2Dzp3NXU/s2111/1699869251945.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1673" data-original-width="2111" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4SN_W835aswP3lzBWwOTdZnvf4yvhBiGWgUw32c4IDyOK75TvrS0MPKEa6-C8l1fIW20JUSG63bKXSKrO25R9IT6evYAh7l6LvJ791sxpLu6xg0zKvyLnrrcHZkySkbUtJQSO_tCcdmxaT4-UcF6iXxTCLZTmkSB-2gZr8FVK70EvmhuTh3V2Dzp3NXU/w400-h318/1699869251945.jpg" width="400" /></a></div><br />I had to sit down to take in the full size of this huge painting of the Virgin of the Carthusians or the Virgin of the Caves or the Virgin of Mercy, 1655, by Francisco de Zurbarán, as it measures approximately 217 x 161 centimeters (or about 85.4 x 63.4 inches) in size.<span></span><p></p><a name='more'></a><p></p><p>This painting was part of a series of three paintings in the sacristy of the Cartuja de las Cuevas in Seville, before finding this place on the wall of the Museum of Fine Arts of Seville.</p><p>It represents an iconography of mediaeval and Cistercian origin in which the monks are protected by the Virgin. They are sheltered under her cloak and arranged in two groups, kneeling on either side of the female figure.</p><p>The work of art is characterised by its simple composition. However, the static, symmetrically arranged figures have a great visual impact due to the individual facial features of the monks and are reminiscent of a gallery of authentic portraits. The inspiration for this work probably comes from a copperplate engraving.</p><p>The Virgin gives the first two monks, possibly Dominique Hélion and Jean de Rhodes, a special blessing for their role in spreading the rosary, symbolised by delicately scattered roses and jasmines on the ground.</p><p>Zurbarán's remarkable skill is evident in his handling of different materials, such as the monks' robes. His extraordinary sense of colour is evident in the bright composition, which is enriched by the pink tones of the tunic and the blue of the cloak and contrasts with the white clothing of the Carthusians and the dark interior of the cloak.</p><p>It is a magnificent painting and fortunately there is a bench right in front of it where you can sit and admire it.</p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-34841709947174716882023-11-13T10:21:00.004+01:002023-11-13T10:21:39.736+01:00 ZURBARÁN'S FEMALE SAINTS: AWE-INSPIRING MASTERPIECES<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMtsiHcGEQeR8l_y644ezpCLg3r3FWveS5xES_wsf-sTgSjfP7zdaGMLNXPimT480qHU82VicECpqbH3S8L_iBCW74C1X_8jCRKoD8cI6PehgDon0V8pcRA-dj0dT6dRsDRbpyumfZ2FKAmpBTqtb3ckjl47t6c88F_6K9z-7VTRw2a2bI8f6LLqa6NN8/s2592/1699863371740.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1944" data-original-width="2592" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMtsiHcGEQeR8l_y644ezpCLg3r3FWveS5xES_wsf-sTgSjfP7zdaGMLNXPimT480qHU82VicECpqbH3S8L_iBCW74C1X_8jCRKoD8cI6PehgDon0V8pcRA-dj0dT6dRsDRbpyumfZ2FKAmpBTqtb3ckjl47t6c88F_6K9z-7VTRw2a2bI8f6LLqa6NN8/w400-h300/1699863371740.jpg" width="400" /></a></div><br />I finally got to meet these beautiful ladies of Francisco de Zurbarán up close. It was amazing to get the opportunity to really appreciate the intricacies of these masterpieces. The meticulous rendering of fabrics decorated with intricate patterns and textures adds to the overall richness of the compositions and demonstrates Zurbarán's exceptional ability to capture minute details and textures.<span></span><p></p><a name='more'></a><p></p><p>Zurbarán's skilful use of chiaroscuro, with its strong contrasts between light and shadow, not only adds depth and realism to the images, but also highlights the graceful folds and drapes of the fabrics. This technique further enhances the visual impact of the paintings.</p><p>Zurbarán's prolific production of female saints can be traced back to the religious climate of his time, in which there was a strong demand for devotional art. In addition, his close collaboration with religious orders and individuals associated with the church provided him with numerous opportunities to create art that celebrated the piety and virtue of these revered female figures.</p><p>These captivating works by Zurbarán delight art lovers and believers alike and are a timeless testament to the fusion of artistry, spirituality and piety in the rich tapestry of Spanish Baroque art. </p><p>I always like the stories associated with these saints. They are very surreal. Here are a few of them to enjoy. </p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu33Gp2YoQKbg_qxAlg7ihGG0wCwfrInENovzMOK0lE76t7EvPiYT_epC64agBITvpCidr4BcQsky-RKqzHzJhX6x_HaZrmXaKiQ_uTeJkRaJA0yAjTL4K8TFB9g5e-Ow0KDxjro_lyrVAjuPS9L7gp8ThlJoERRvXfS4gQHdkM2KegIAV_-Kpnz6vHs8/s2592/1699863243674.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1944" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu33Gp2YoQKbg_qxAlg7ihGG0wCwfrInENovzMOK0lE76t7EvPiYT_epC64agBITvpCidr4BcQsky-RKqzHzJhX6x_HaZrmXaKiQ_uTeJkRaJA0yAjTL4K8TFB9g5e-Ow0KDxjro_lyrVAjuPS9L7gp8ThlJoERRvXfS4gQHdkM2KegIAV_-Kpnz6vHs8/w300-h400/1699863243674.jpg" width="300" /></a></div><p></p><p><b>St Dorothea</b>, also known as St Dorothy, is a Christian saint venerated in the Eastern Orthodox Church and the Roman Catholic Church. She lived in the 3rd century during the Roman Empire and was persecuted for her Christian faith under Emperor Diocletian.</p><p>Her martyrdom included refusing to renounce Christianity, enduring torture and finally being executed, possibly by beheading. A remarkable aspect of her legend is a miraculous event in which she received a basket of fruit and flowers from an angel in prison. When she presents it to the authorities, these flowers and fruit, which are out of season and heavenly, symbolise her divine connection.</p><p>In art, St Dorothea is often depicted with a basket or a bouquet of flowers in her hand to emphasise the miraculous event. Some depictions also show the Christ Child to emphasise her purity and devotion to Christ. Although the specific details may vary, the core story of St Dorothea and the associated symbols convey spiritual teachings and virtues in the context of Christian hagiography.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkei5TOQWVpR9ZOv-278es6UjMXCCkM-yH1mkbqmgOeWCg1IkBNfS7VNpcJ46XohmElx860pO6wBEpz86r-Te8MFdwNg1UTyrtKqf5yCvVL8f5nqIBN3a0KnXoCDQ2JJ1pTyXjW5ZC3nsB4Q97IsRiKLAQgccVCqeZfa7dRn-impuyz1zVuyffdashb3A/s2592/1699863178560.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1944" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkei5TOQWVpR9ZOv-278es6UjMXCCkM-yH1mkbqmgOeWCg1IkBNfS7VNpcJ46XohmElx860pO6wBEpz86r-Te8MFdwNg1UTyrtKqf5yCvVL8f5nqIBN3a0KnXoCDQ2JJ1pTyXjW5ZC3nsB4Q97IsRiKLAQgccVCqeZfa7dRn-impuyz1zVuyffdashb3A/w300-h400/1699863178560.jpg" width="300" /></a></div><br /><p>Saint Mathilde, also known as Saint Mechtilde or Mathilda, was a mediaeval Christian saint who lived in the 10th and 11th centuries. She lived in the 11th century. She was born around 895 as the daughter of a Saxon nobleman and married King Henry I of Germany, with whom she had several children. After the death of her husband in 936, she devoted herself to a life of prayer, good works and the founding of religious institutions.</p><p>Matilda is celebrated for her piety, her charitable works and her support for religious foundations and monasteries. She is often depicted with symbols that emphasise her royal status and her devotion to religious life. In some artistic representations, Saint Matilda is depicted with a crown, symbolising her role as queen. She may also be depicted with a golden book in her hand, symbolising her devotion to science, religious texts or possibly her role in supporting the church.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjflNjbH9OT-tptc9OSdng9xHLIY_I_kDHn5lxHJHF1DeawMAA-iITJy-xDdrNOlxDQEfRK-81USY0Nnr_dYVEyCktw6pQ_t4bDsOGTRJ4HOBGLuRGiDfpegqk1s5WPsZCUIbGIYiuLpQllYFKQIQh63zaL5dtXU5UIDn_bS-FrvMy7qtGNY8R9Hboqf4k/s2592/1699863293584.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1944" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjflNjbH9OT-tptc9OSdng9xHLIY_I_kDHn5lxHJHF1DeawMAA-iITJy-xDdrNOlxDQEfRK-81USY0Nnr_dYVEyCktw6pQ_t4bDsOGTRJ4HOBGLuRGiDfpegqk1s5WPsZCUIbGIYiuLpQllYFKQIQh63zaL5dtXU5UIDn_bS-FrvMy7qtGNY8R9Hboqf4k/w300-h400/1699863293584.jpg" width="300" /></a></div><p style="text-align: left;"><b>St Marina</b>, also known as St Margaret of Antioch, was a Christian saint who was venerated in both Eastern and Western traditions. She was born in Antioch in the 3rd century and was subjected to persecution by the Roman Emperor Diocletian because of her Christian faith.</p><p>Legend has it that she refused to renounce Christianity and endured torture and imprisonment for it. In some versions of her story, she is associated with a dragon, which is said to symbolise her triumph over evil. She was eventually beheaded for her unwavering faith.</p><p>In artistic representations, Saint Marina is often depicted holding a staff with a hook, symbolising her victory over the forces of darkness, especially the dragon. Additionally, a bag over her arm symbolises her commitment to a virtuous and pure life, as she is said to have taken a vow of chastity. These symbols convey the virtues and elements of her martyrdom in Christian iconography.</p><p>To summarise, Francisco de Zurbarán's exquisite paintings of female saints are a testament to his extraordinary talent and enduring appeal. Celebrated for their religious devotion, lifelike quality and meticulous attention to visual elements such as the details of the costumes, these works of art are indeed a hallmark of Spanish Baroque art.</p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-16530020444968762392023-11-11T12:52:00.000+01:002023-11-11T12:52:08.563+01:00WATCH * 3D ANIMATION OF GALATEA OF THE SPHERES * A DALI PORTRAIT<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxtGxRVIRaDtXKLO_bQ5B-3O2chBqMRolKY22vT5Gt6cdSAdbDrw5h8_GmgmMZySIrZ-ptksf6Z9AO0CNhYkEQOieu2FOvsy55tFhBcEvf5jdjEISUZllKMV4JgiIFUhQf5iFdPH9PFWY/s1600/galatea-of-the-spheres.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="788" data-original-width="602" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxtGxRVIRaDtXKLO_bQ5B-3O2chBqMRolKY22vT5Gt6cdSAdbDrw5h8_GmgmMZySIrZ-ptksf6Z9AO0CNhYkEQOieu2FOvsy55tFhBcEvf5jdjEISUZllKMV4JgiIFUhQf5iFdPH9PFWY/w305-h400/galatea-of-the-spheres.jpg" width="305" /></a></div>
<br /><div><div>"Galatea of the Spheres"," painted by the surrealist artist Salvador Dalí in 1952, is a remarkable testimony to Dalí's unmistakable artistic style and his enthusiasm for the realms of science and mysticism. This masterpiece encompasses various facets that illuminate the complexity of Dalí's vision:<span><a name='more'></a></span></div><div><br /></div><div>Firstly, Dalí's meticulous attention to detail and his innovative use of "nuclear mysticism" define the style of the painting. In this technique, objects and figures are represented by small, floating spherical shapes that symbolise atomic particles. This artistic choice reflects Dalí's deep interest in the emerging field of atomic physics in the mid-20th century.</div><div><br /></div><div>The subject of the painting, Dalí's wife Gala, takes centre stage. Her fragmented face, made up of numerous small spheres, conveys a sense of surrealism and discontinuity. This technique not only emphasises Dalí's fascination with the atomic and subatomic realms, but also adds an extra layer of complexity to the overall composition.</div><div><br /></div><div>Despite its modern and scientific themes, "Galatea of the Spheres" is an homage to Renaissance art. Gala's composition and pose are reminiscent of classical depictions of the Madonna. They harmonise traditional artistic elements with Dalí's avant-garde approach and show his ability to seamlessly combine different influences.</div><div><br /></div><div>The painting is full of symbolism, with the floating spheres representing the building blocks of matter. This symbolism lends the artwork a mystical and dreamlike quality and emphasises Dalí's great interest in the subconscious and the fantastic.</div><div><br /></div><div>Dalí's connection to atomic theory is evident in his inspiration from the revolutionary discoveries of physics. The depiction of Gala through atomic particles reflects the artist's attempt to capture the essence of matter at its most fundamental level, combining artistic expression with scientific curiosity.</div><div><br /></div><div>"Galatea of the Spheres" is a significant work in Dalí's oeuvre that demonstrates his skill in merging classical influences with modern scientific concepts. It is a testament to his commitment to exploring the intersection of art and scientific thought at a time characterised by profound intellectual and cultural changes.</div><div><br /></div><div>In a broader context, Pythagoras, the ancient Greek philosopher and mathematician, introduced the concept of the "music of the spheres" This idea, rooted in a cosmological theory, postulates a celestial harmony between the planets that produces a cosmic symphony. Each celestial body travelling through space supposedly emits a unique frequency or pitch, creating an orderly and harmonious cosmic arrangement.</div><div><br /></div><div>The concept is based on the belief that these celestial harmonies can be expressed mathematically, often as ratios of simple integers. Although the details of Pythagoras' theory vary, it symbolises the belief in a harmonious and mathematically structured cosmos. Although there is no direct evidence that this concept can be traced back to Pythagoras himself, it was associated with him through later interpretations and writings.</div><div><br /></div><div>In the wider context of ancient Greek cosmology and philosophy, the "music of the spheres" illustrates the belief in an ordered universe governed by mathematical principles. This belief continued with later thinkers such as Plato and Aristotle and influenced later figures such as Johannes Kepler, who searched for mathematical relationships and harmonies in the movements of the planets during the Renaissance.</div><div><br /></div><div>While our scientific understanding of the celestial bodies has evolved since the time of Pythagoras, the metaphorical concept of cosmic harmony persists in both scientific and philosophical discourse. The idea continues to resonate as a symbolic expression of order and unity in discussions about the nature of the universe.</div><div><br /></div><div>To summarise, both "Galatea of the Spheres" and Pythagoras' "Music of the Spheres" embody a fascination with harmony and order — one through visual art and the other through cosmic speculation. Through these forms of expression, we recognise the enduring human desire to explore the connections between the concrete and the abstract, the artistic and the scientific, in order to understand the mysteries of the universe.</div></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-7480928962210074152023-11-11T12:33:00.000+01:002023-11-11T12:33:33.703+01:00WATCH * UN CHIEN ANDALOU * SALVADOR DALI'S FIRST FILM<div style="text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBdplDLUBvUcJebVYUnCf6ZyOEXu9uSt7zmA5yWy9SoZ_zxt2_ljjoZs-2XpiBV3KZ3WUFn9_2IayTzPNbA0WeZRgo5oZHNFLdn52oH4O7P0VWDxtAK910xSJoXF2EN2VghPuLZ5FO6a0/s1600/bfi-00n-ok6-un-chien-andalou.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="372" data-original-width="670" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBdplDLUBvUcJebVYUnCf6ZyOEXu9uSt7zmA5yWy9SoZ_zxt2_ljjoZs-2XpiBV3KZ3WUFn9_2IayTzPNbA0WeZRgo5oZHNFLdn52oH4O7P0VWDxtAK910xSJoXF2EN2VghPuLZ5FO6a0/w400-h221/bfi-00n-ok6-un-chien-andalou.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></div><div style="text-align: left;">In 1929, Salvador Dalí (1904 - 1989) collaborated in Paris with the Spanish film director and fellow student Luis Buñuel (1900 - 1983) on a film project that was so peculiar that it achieved legendary status. It was the first deliberate attempt to shock the audience.<span><a name='more'></a></span></div><div style="text-align: left;"><br /></div><div style="text-align: left;">Dalí took over most of the composition of the film and lent it his symbolic style. Viewers familiar with Dalí's work will recognise in this film the abundance of metaphors typical of his artistic vision.</div><div style="text-align: left;"><br /></div><div style="text-align: left;">In modern times, we have become accustomed to dream sequences in films and music videos that defy logical coherence and radically depart from narrative traditions with non-consecutive scenes and a lack of plot. However, in the Catholic Paris of 1929, this film caused a scandal because it showed erotic scenes and nudity, breaking the conventions of the time.</div><div style="text-align: left;"><br /></div><div style="text-align: left;">This avant-garde work left an indelible mark on filmmakers such as Alfred Hitchcock and the horror-thriller genre in popular cinema.</div><div style="text-align: left;"><br /></div><div style="text-align: left;">**Plot:**</div><div style="text-align: left;"><br /></div><div style="text-align: left;">The genesis of the film goes back to a conversation between Buñuel and Dalí about their dreams. Dalí dreamt of a handful of ants, while Buñuel told of a dream in which the moon was enveloped by a cloud that looked like an eye cut by a blade. From this discussion, they explored ideas from the subconscious.</div><div style="text-align: left;"><br /></div><div style="text-align: left;">The makers emphasised the absence of rational thought or action in the film and laid down the only rule: nothing symbolic or explainable could be used. Buñuel claimed in the 1970s that the film did not want to represent or symbolise anything, so that any meaning had to be found out through the psychoanalysis of critics or academics.</div><div style="text-align: left;"><br /></div><div style="text-align: left;">The film unfolds in an anti-pattern and defies chronological sequence as the scenes play out in no discernible order. The film begins with a sign that reads "Once upon a time...", followed by another sign that reads "Eight years later"," although the characters have not visibly changed.</div><div style="text-align: left;"><br /></div><div style="text-align: left;">The film's most famous scene, which features strange imagery and mysterious special effects, is a startling cut to the eye, shot with intense lighting and the eye of a deceased calf or goat.</div><div style="text-align: left;"><br /></div><div style="text-align: left;">In one sequence, a figure pulls a collection of strange objects, including two pianos with dead donkeys, stone tablets with the Ten Commandments and two bizarre priests, one of whom is portrayed by Salvador Dalí himself. Interpretations vary, some suspect an allusion to Juan Ramón Jiménez's work "Platero y yo"," which both Buñuel and Dalí disliked. Due to budget restrictions, some planned scenes, including one with corpses covered in flies, were cut.</div><div style="text-align: left;"><br /></div><div style="text-align: left;">**Legacy:**</div><div style="text-align: left;"><br /></div><div style="text-align: left;">Expecting a negative social reaction, Dalí and Buñuel filled their pockets with stones at the film's premiere, only to be surprised by the public's fascination. The film became popular among friends of the Surrealists, which led to Dalí and Buñuel being accepted into the group of Surrealists.</div><div style="text-align: left;"><br /></div><div style="text-align: left;">Despite the film's dark undertones, as both main characters commit suicide in the following years, it achieved cult status. "Un Chien Andalou" continues to be shown at various festivals around the world, has influenced artists and musicians such as the Pixies and has become a reference point for the strange and surreal in literature, film and television.</div><div style="text-align: left;"><br /></div><div style="text-align: left;">Following the success of "Un Chien Andalou"," Dalí and Buñuel worked on another film entitled "L'Age D'Or" However, a dispute arose between the duo, which led Dalí to decide not to participate in the production of the film. This subsequent work sought controversy by directly challenging the Roman Catholic Church.</div><div style="text-align: left;"><br /></div><div style="text-align: left;">The continued screenings at various festivals around the world underline the enduring fascination with this surreal masterpiece. Its influence on subsequent generations of artists, musicians and creatives, as well as its frequent mention in literature, film and television, cements "Un Chien Andalou" as a timeless cultural reference point for the strange and surreal.</div><div style="text-align: left;"><br /></div><div style="text-align: left;">The film's thematic and stylistic innovations transcend celluloid frames, reminding us of the power of artistic collaboration and the enduring impact of those willing to challenge the status quo in the pursuit of creative expression.</div><div style="text-align: left;"><br /></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-48883128829141076412023-11-11T12:22:00.001+01:002023-11-11T12:22:55.015+01:00WATCH DESTINO * SENSATIONAL SURREALIST MAGIC<br />
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<div><br /></div><div>Destino was an animated short film that resulted from a collaboration between Walt Disney and the Spanish surrealist painter Salvador Dalí. The music, composed by Mexican songwriter Armando Domínguez and performed by Mexican singer Dora Luz, accompanied the captivating images.<span><a name='more'></a></span></div><div><br /></div><div>The six-minute short film told the love story of Chronos and his unhappy affection for a mortal woman named Dahlia. As Dahlia danced through surreal landscapes inspired by Dalí's paintings, the film, which was released by the Walt Disney Company in 2003, was distinguished by its unique production history, which originated in 1945, 58 years before its final completion.</div><div><br /></div><div>Destino was based on a script written by Disney Studio screenwriter John Hench and artist Salvador Dalí. Work lasted eight months, from late 1945 to 1946, but financial concerns led Disney to abandon the production.</div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw5_WlKXUq4mOHQ2oLUH77hI_aec2tLeYosEjA3tSppzGHRCXH3yzfLVO-i6bUK2CNgzdeLtDuBnbYTIlJKfyU4idFGqXKyL_7pZQ1UEM5ePHTNwG1BQiwejXmNq3VBmMxObTy95cTiDo/s1600/8.-Salvador-Dal%25C3%25AD-and-Walt-Disney-by-the-beach-in-Spain-1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="905" data-original-width="914" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw5_WlKXUq4mOHQ2oLUH77hI_aec2tLeYosEjA3tSppzGHRCXH3yzfLVO-i6bUK2CNgzdeLtDuBnbYTIlJKfyU4idFGqXKyL_7pZQ1UEM5ePHTNwG1BQiwejXmNq3VBmMxObTy95cTiDo/s320/8.-Salvador-Dal%25C3%25AD-and-Walt-Disney-by-the-beach-in-Spain-1957.jpg" width="320" /></a></div><div><br /></div><div>During the Second World War, the Walt Disney Company, which was still called Walt Disney Studios at the time, struggled with numerous financial problems. Hench tried to rekindle Disney's interest by putting together a test version of the 18-second animated film. However, the production was deemed financially unviable and postponed indefinitely.</div><div><br /></div><div>In 1999, while he was involved in Fantasia 2000, Walt Disney's nephew Roy E. Disney resurrected the dormant project and decided to bring it back to life. Baker Bloodworth produced the short film, which was directed by French animator Monfréy Dominique in his role as first-class director.</div><div><br /></div><div>Some 25 animators deciphered Dalí and Hench's cryptic storyboards using the diaries of Dalí's wife Gala Dalí and guidance from Hench. The end result was predominantly a traditional animated film, incorporating Hench's original material and also including some computer animation.</div><div><br /></div><div>The 18 seconds of original footage that made it into the finished product include the segment with the two turtles, which references the tin soldier sequence in Fantasia 2000, and an idea from Dalí, who saw baseball as a metaphor for life.</div><div><br /></div><div>Destino made its debut on 2 June 2003 at the International Festival of Animated Film in Annecy, France, where it received much acclaim and numerous awards. In 2003, it received a nomination for the Academy Award for Best Animated Short Film.</div><div>
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<iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube-nocookie.com/embed/w38cerphic4?rel=0&controls=0&showinfo=0" width="560"></iframe><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><h1 style="background-color: white; font-family: Verdana, Geneva, sans-serif; margin: 0px; position: relative; text-align: left;"><div style="text-align: center;"><b style="font-size: medium;"><span style="color: #cc0000;">*******</span></b></div><div style="text-align: center;"><span style="background-color: #ffa400;"><span style="font-size: medium;">APPRECIATE ART & CULTURE * LOVE SPAIN</span></span><br /><b style="color: #990000; font-size: medium;">Resource Books written by<br />Karla Ingleton Darocas <br /></b><b style="color: #990000; font-size: medium;">and published by<br />SpainLifestyle.com </b></div></h1><p style="background-color: white; font-family: Verdana, Geneva, sans-serif; font-size: 14.3px;">* <b style="background-color: #fcff01;"><a href="http://www.spainlifestyle.com/p/books.html" style="color: #972702; text-decoration-line: none;">CLICK HERE</a> </b>*</p><h1 style="background-color: white; font-family: Verdana, Geneva, sans-serif; margin: 0px; position: relative;"><b><span style="color: #cc0000; font-size: small;">*******</span></b></h1></div>
<br /></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-40085380979110465342023-11-10T11:26:00.005+01:002023-11-10T11:59:07.884+01:00SEVILLE'S ARTISTIC TREASURES: PEDRO DE MENA'S MASTERPIECES<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8o3TGf5zL3cCVs2lTnybNHT3nFFL_OPCI3MN8ABos16junH3DyU9arurJC1pAKhetnGc3zy8fX1UKLqCOgK3BU7ahyx36kO-kzZ4cqj8UtZodmUOvJKN29qH8g8iGu-VbMJLRU5z_9UaO4YoRosgkXXDHuh1q2Gu_rKkn0WfUv3y7ZrJwtvb7so6bGVU/s1422/Phonto.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1422" data-original-width="704" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8o3TGf5zL3cCVs2lTnybNHT3nFFL_OPCI3MN8ABos16junH3DyU9arurJC1pAKhetnGc3zy8fX1UKLqCOgK3BU7ahyx36kO-kzZ4cqj8UtZodmUOvJKN29qH8g8iGu-VbMJLRU5z_9UaO4YoRosgkXXDHuh1q2Gu_rKkn0WfUv3y7ZrJwtvb7so6bGVU/w198-h400/Phonto.png" width="198" /></a></div><br />Recently, I had the incredible opportunity to visit the Museum of Fine Arts in Seville, where I saw three exquisite wooden masterpieces by my favourite 17th century artist and sculptor, Pedro de Mena y Medrano. This Spanish Baroque sculptor, who was born in Granada in August 1628 and died in Málaga on 13 October 1688, had a profound impact on the world of art.<span></span><p></p><a name='more'></a><p></p><p>One of the remarkable exhibits was "San Juan Bautista Niño" (1674), which is safely enclosed in a glass case and is located in Room VIII of the museum.</p><p>"San Juan Bautista Niño"," also known as "San Juanito"," is a captivating depiction of the child St John the Baptist, a popular figure in Andalusian sculpture. This charming figure radiates a childlike innocence and is the forerunner of Jesus. His gaze is directed forwards, with a serious yet dignified expression that creates a poignant but not overly expressive depiction.</p><p>In this depiction, he appears without his customary camel-hair tunic, allowing us to admire the softly moulded contours of his youthful body with the endearingly childlike features, such as his bulging belly and cherubic form. His face shows a perfectly smooth forehead, expressive slanted eyes, a petite nose and modest lips. His distinctive hairstyle consists of cascading, tousled curls with gently flowing ends, demonstrating the artist's commitment to exquisite detail.</p><p>In his left hand he holds the labarum or cross, an enduring symbol, although the accompanying banner with the Latin inscription 'Ecce Agnus Dei' (Behold the Lamb of God) is not present. This inscription recalls the words spoken by John at the baptism of Jesus.</p><p>In his right hand, the index finger points to the ground, indicating the place where the lamb or "agnus Dei" (Lamb of God, representing the sacrifice of Jesus Christ for the sins of mankind) is usually placed, although it is not preserved in this particular work of art.</p><p>Also missing is the halo or nimbus that surrounds his head and represents his spiritual character.</p><p>Pedro de Mena was a master in the creation of different iconographic types and this work belongs to his later period. This sculpture was made in Málaga, as the author himself indicates with the date and signature.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxWRoXb3jRwq0kkTG2KKNg9WEo8H0uj6FWteYmr7HXFP8OfBhn6cCCl1bkTaV_EH2iO2ZIWZtexONTl5RxFlzOmHnkqtDmZrANPUKAKGdA6f7zP73vkG-PLDDpZLH308qB5KvvRM630rYct5yppfFyE0FEyB6wRtZI94Y78ejcXHVZv3N1Db03KK5jsLk/s1117/Phonto.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1117" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxWRoXb3jRwq0kkTG2KKNg9WEo8H0uj6FWteYmr7HXFP8OfBhn6cCCl1bkTaV_EH2iO2ZIWZtexONTl5RxFlzOmHnkqtDmZrANPUKAKGdA6f7zP73vkG-PLDDpZLH308qB5KvvRM630rYct5yppfFyE0FEyB6wRtZI94Y78ejcXHVZv3N1Db03KK5jsLk/w386-h400/Phonto.png" width="386" /></a></div><p></p><p>Over the years, I have had the opportunity to encounter many representations of Our Lady of Sorrows, often referred to as "Mater Dolorosa" or "Our Lady of Sorrows" These representations never fail to captivate me with their depiction of a deeply grieving woman with her hands folded.</p><p>There is also one of these fascinating busts in a glass case. This particular Virgin of Sorrow has a sad and pained expression on her face, and her eyes look directly at me with deep sadness and thoughtfulness. She is wearing her traditional clothing, including her blue robe, symbolising purity, truth and divine grace, her red gown reflecting her deep love and connection with the suffering of her son, and her white veil or headdress, associated with the idea of Mary's immaculate conception and symbolising her freedom from original sin.</p><p>This Sorrowful Virgin was created between 1658 and 1670 and measures 66 x 61 x 30 centimetres. </p><p>Her suffering is closely related to the Seven Sorrows of Mary, a traditional devotion within the Catholic Church that refers to key moments of her suffering, such as the prophecy of Simeon and witnessing the crucifixion of her beloved son Jesus.</p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrI5XKf87LsgaQJYxRzzpfiX-mYHT_gwoDOKDsjUjjjST1e6UTnUp3qFpvd7x6vtx2Pzr_Pw8nkaD7zHBf6juKJCJSBOPDQOysMk3WHi0y_DTGT9uHzvHXq6SRVBxWgMcVZNsloBfQ2BrlR_dItapY1axAsLjkWBe_jq-5gOQOGCwCwzZAbKLMIhXoaGg/s1440/Phonto.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="749" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrI5XKf87LsgaQJYxRzzpfiX-mYHT_gwoDOKDsjUjjjST1e6UTnUp3qFpvd7x6vtx2Pzr_Pw8nkaD7zHBf6juKJCJSBOPDQOysMk3WHi0y_DTGT9uHzvHXq6SRVBxWgMcVZNsloBfQ2BrlR_dItapY1axAsLjkWBe_jq-5gOQOGCwCwzZAbKLMIhXoaGg/w208-h400/Phonto.png" width="208" /></a></div><p></p><p>The last statue I encountered was a freestanding representation of San Ramón Nonato (1626), from the Convent of San José, the barefoot Mercedarians in Granada. It was a fascinating journey for me to learn about this saint because I simply found his story interesting.</p><p>San Ramón Nonato, whose full name was Saint Raymond Nonnatus, was a 13th century Spanish saint known for his unwavering devotion to the Catholic Church and his commitment to helping the less fortunate. Born in Portell, Catalonia, Spain, in 1204 (some sources say 1200), his life story is both fascinating and inspiring.</p><p>The nickname "Nonnatus" is derived from the Latin "non natus"," meaning "not born"." This nickname was given to him because of the extraordinary circumstances of his birth. His mother tragically died during childbirth and his father arranged an emergency caesarean section to save the baby's life, hence the name "Nonnatus"</p><p>From an early age, San Ramón Nonato showed a deep spiritual inclination and a strong sense of compassion, especially towards the economically disadvantaged. Although his family was noble and owned land, his father sent him to work as a shepherd on their land to prevent him from becoming a priest. He faithfully pursued this task from the age of 8 until his late teens, around the age of 18.</p><p>In his late teens, he came across the story of a religious figure, San Pedro Nolasco, who founded the Order of the Blessed Virgin Mary of Mercy (Mercedarians) in Barcelona. Inspired by this encounter, San Ramón Nonato made the life-changing decision to join the order. As a Mercedarian, he dedicated himself to freeing Christian prisoners who were being held as slaves by Moors and other non-Christians.</p><p>San Ramón Nonato earned a reputation for his extraordinary courage and commitment to freeing slaves, often putting himself in great danger to fulfil this mission. He continued this noble work even when he was made a cardinal by Pope Gregory IX.</p><p>San Ramón Nonato's unwavering devotion to the Church, his selfless service to the poor and enslaved and his fearless commitment in the face of adversity earned him the status of a saint. Pope Alexander VII canonised him in 1657 and he is often venerated as the patron saint of childbirth, midwives and pregnant women. His feast day is celebrated on 31 August in the Catholic calendar.</p><p>I was curious about what this saint had in his mouth and I found this information in my research: Legend has it that in an attempt to silence his evangelisation and punish him for his activities, the Moors padlocked his mouth to prevent him from spreading the Christian faith. Despite this, Raymond continued to witness to his captors through gestures and facial expressions, becoming a symbol of unwavering faith and determination in the face of adversity.</p><p>In conclusion, I would like to say that Pedro de Mena remains one of my favourite sculptors from the Baroque period and I hope that art lovers will appreciate how his work has left a lasting impression throughout Spain. I have the good fortune and pleasure to admire his extraordinary creations throughout Spain.</p><p style="text-align: center;"><span face="Verdana, Geneva, sans-serif" style="background-color: white; color: #4d469c; font-size: 13px; font-weight: 700;"> </span><a href="https://www.amazon.co.uk/gp/search?ie=UTF8&tag=spainlifest0f-21&linkCode=ur2&linkId=0bb16a1b51a858d32017d13b7eec928d&camp=1634&creative=6738&index=books&keywords=spain, Seville, spanish sculpture" style="background-color: white; color: #b51200; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;" target="_blank"><b><span style="color: #990000; font-size: medium;">SPAIN RESOURCE BOOKS - click</span></b></a></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-62499386431829131552023-11-02T16:53:00.002+01:002023-11-03T11:47:56.525+01:00DIVINE ESSENCE: MURILLO'S 'VIRGIN OF THE NAPKIN<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIualkRex6cYL0Sf7JDgYN4w0lpLI_ph1DNPVBfRD7HgmS9D2SVpWkU9uvZZLwV9_ZOK1i_C0_C7xJxTPTKAn1IkMh4F-UMJ4mc6N697Ql-5YDQ_EnlyesfO8P3gsDXQ2_w4Vck_UXJj4oTXGVKNVC6leQxasgCrKwI2mzBwctKrBm_l1OrhhO3ATEfXQ/s1968/1698940172476.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1825" data-original-width="1968" height="371" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIualkRex6cYL0Sf7JDgYN4w0lpLI_ph1DNPVBfRD7HgmS9D2SVpWkU9uvZZLwV9_ZOK1i_C0_C7xJxTPTKAn1IkMh4F-UMJ4mc6N697Ql-5YDQ_EnlyesfO8P3gsDXQ2_w4Vck_UXJj4oTXGVKNVC6leQxasgCrKwI2mzBwctKrBm_l1OrhhO3ATEfXQ/w400-h371/1698940172476.jpg" width="400" /></a></div><br />Bartolomé Esteban Murillo's "The Virgin of the Napkin" is a captivating masterpiece that captures the divine essence of the Virgin Mary and the Child Jesus. The painting was made in 1666 for the Capuchin Church in Seville. It measures 67 by 72 centimetres and remains one of the most popular depictions of the Virgin Mary. I took my time, sat down on a bench and admired this iconic work of art in the Fine Arts Museum in Seville.<span><a name='more'></a></span><p></p><p>As I looked at this painting, I couldn't help but notice the subtle influence of several artists whom Murillo greatly admired. The bright colours and delicate forms are reminiscent of Raphael, while the ethereal atmosphere subtly hints at Murillo's knowledge of Velázquez and Rubens. What made me curious was the mystical aura surrounding this work of art, which has earned it a place in the annals of art history.</p><p>For over 150 years, the "Virgin with the Napkin" adorned the altarpiece of the Capuchin Church. During the War of Independence, the French Marshal <i>Jean de Dieu Soult</i>, an ardent Murillo fan, almost confiscated it. But the clergy recognised the immense value of the painting and in 1810 brought it, together with other works, to Gibraltar, where it was protected from the French army's grasp until the end of the war in 1814.</p><p>In 1836, as a result of the government decree confiscating church property under the direction of Minister Mendizábal, the painting became state property and was incorporated into the newly founded Museum of Fine Arts.</p><p>The name "The Virgin with the Napkin" derives from a legend that first appeared in O'Neill's "A Dictionary of Spanish Painting" in 1833 There are two variants of this fascinating story.</p><p>In the first version, the Capuchin monks discovered the disappearance of a napkin from their possession, which was then mysteriously returned by Murillo himself, decorated with a sketch of the Virgin. The second version tells of a monk of the monastery who asked Murillo for help in creating a personal image of the Virgin and Child for his private devotions. Murillo agreed, but demanded a canvas for the artwork. As the monk had no financial means, he instead provided a simple napkin on which Murillo created this extraordinary masterpiece.</p><p>The emotional impact of the painting is undeniable. The Child Jesus seems to yearn to step out of the frame, while the Virgin's gaze connects with the viewer and conveys a deep sense of tenderness and intimacy.</p><p>The Baroque era treasured the paintings of the Madonna and Child for their deep emotional and spiritual impact, which came with the fervour of the Counter-Reformation. In the midst of this religious revival, the Catholic Church promoted these works of art to reinforce doctrine and appeal to the faithful. The role of the Virgin Mary as Mother of God and the tender union with the Child Jesus were of great theological significance. These paintings, with their accessibility and emotional resonance, became symbols of the personal devotion, artistic tradition and fervent piety of the era, embodying the essence of the artistic and spiritual heritage of the Baroque.</p><p style="text-align: center;"><a href="https://www.amazon.co.uk/gp/search?ie=UTF8&tag=spainlifest0f-21&linkCode=ur2&linkId=0bb16a1b51a858d32017d13b7eec928d&camp=1634&creative=6738&index=books&keywords=spain, Murillo, Seville" style="background-color: white; color: #b51200; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;" target="_blank"><b><span style="color: #990000; font-size: medium;">SPAIN RESOURCE BOOKS - click</span></b></a></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-58395607846294503742023-11-02T16:44:00.005+01:002023-11-03T11:50:10.185+01:00THE MANNERIST MAJESTY OF THE IMPERIAL STAIRCASE OF LA MERCED<div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsfUoTItLA_GvQy5k9GUlcvxL7NaSGU7juMhR5F7HpP4EsNfFIXnJZx-lx_a_nammbuQ55OAMwA1fPchKqSvJSPIPSbaehHnF_bvewB4YiQkdgAJS0WmoLZC5Wzh0OasBHELClfBqk3Zo_9sZ17vz9YDd2fjlPWTNsij8ht2VhgDHdbmHcF-p42Kdr1IA/s2521/1698938522132.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1891" data-original-width="2521" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsfUoTItLA_GvQy5k9GUlcvxL7NaSGU7juMhR5F7HpP4EsNfFIXnJZx-lx_a_nammbuQ55OAMwA1fPchKqSvJSPIPSbaehHnF_bvewB4YiQkdgAJS0WmoLZC5Wzh0OasBHELClfBqk3Zo_9sZ17vz9YDd2fjlPWTNsij8ht2VhgDHdbmHcF-p42Kdr1IA/w400-h300/1698938522132.jpg" width="400" /></a></div><br /><div style="text-align: left;">During my recent trip to Seville, I came across the old convent of La Merced, in the heart of the city, which now houses the Seville Fine Arts Museum. This historical gem occupies a significant block in the heart of Seville and I could not help but be enchanted by it.</div><div><span><a name='more'></a></span></div><div><br /></div><div>One of the most remarkable features I discovered in the convent was the Imperial Staircase, a true masterpiece of Mannerist craftsmanship. Built in 1612 by the talented architect and sculptor Alonso Álvarez de Albarrán of the Sevillian school, this staircase is an absolute marvel. Its elegance lies in the fact that it gracefully connects three main cloisters: the Great Cloister, the Bojes Cloister and the Aljibe Cloister, each with its own unique character and historical significance.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxMZ8drh4QQ_qNK246JrmzBW_WJJpcj7F_4ScEt9Qx49eRbQctDRT6qAkx_O8IQ6WxDzBpGCR3WZ6tXSgWHN_rwuz3cFYzUvDfoEZ1LZ8wxqKzq2astAQJvbSHLd2vaWOz-TYSH2SpUdZLLS4w2DQSL5VbZz2h7lrFy7Gp_UdORzaeiO7-mRmclAfb0Zw/s2592/1698939226205.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1944" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxMZ8drh4QQ_qNK246JrmzBW_WJJpcj7F_4ScEt9Qx49eRbQctDRT6qAkx_O8IQ6WxDzBpGCR3WZ6tXSgWHN_rwuz3cFYzUvDfoEZ1LZ8wxqKzq2astAQJvbSHLd2vaWOz-TYSH2SpUdZLLS4w2DQSL5VbZz2h7lrFy7Gp_UdORzaeiO7-mRmclAfb0Zw/w300-h400/1698939226205.jpg" width="300" /></a></div><br /><div>What makes the Imperial Staircase a hidden gem is its exquisite architecture and unique iconographic programme. This architectural marvel is adorned with intricate depictions of the Virgin Mary or Marian themes, elegantly housed in a cubic box.</div><div><br /></div><div>These stories include the Annunciation, the Birth of Jesus, the Visitation, the Assumption of Mary, the Coronation of the Virgin and various other events and attributes associated with the Mother of Jesus in Christian theology. Each of these stories has a particular religious and spiritual significance in the Christian faith and can be represented through various forms of art and iconography, such as on the Imperial Staircase in the old convent of La Merced in Seville.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1w2lJPhaZZlAR-AUum10VrzrRPmgksBr_w8Vb72AyA1x6eb3HoYNN5zhaz7BYEghtTxa7b8e6dqZEN5l64qX9CwPnkyJpSNIztJ6zOZUg325__H6qPagAFFd5LlOgc9tZU35stKEi2wbCI35kE3q8_ghSW5XXPpFEmMFgndFitURkpmHI_aChgWUre9E/s2355/1698939654523.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2355" data-original-width="1766" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1w2lJPhaZZlAR-AUum10VrzrRPmgksBr_w8Vb72AyA1x6eb3HoYNN5zhaz7BYEghtTxa7b8e6dqZEN5l64qX9CwPnkyJpSNIztJ6zOZUg325__H6qPagAFFd5LlOgc9tZU35stKEi2wbCI35kE3q8_ghSW5XXPpFEmMFgndFitURkpmHI_aChgWUre9E/w300-h400/1698939654523.jpg" width="300" /></a></div><div><br /></div><div>The staircase has a double beginning in its two sections and culminates in an octagonal dome. This dome is supported by angular spikes that form pairs of diamond tips and double oculi in the corners, which enhance the visual impact of the space and show off the magnificent Mannerist decorations that adorn the staircase.</div><div><br /></div><div>The name "Imperial" is appropriate for this staircase, as it is centrally located and emphasises its original purpose as a private and intimate space in the daily life of the monastery. The separate flights for the ascent and descent only add to its grandeur and functionality.</div><div><br /></div><div>Finding the Imperial Staircase was like being immersed in the art and history of the old La Merced Monastery. It is a hidden treasure that I had the pleasure of discovering during my recent trip to Seville, and I recommend it to all future visitors looking for a unique and impressive experience in this charming city.</div></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifIC6-b9UXGUDUTiuAsfJEjdyGujlKagdZuTNOSyekNQHVwQ-8f6e5WF4hJiBDGEACqFY4Iid8vkA19X-ZYhyphenhyphenfxCk2gijXeojmaYS_leigMMhhV55qccPE-kJajmvz7aGfUKQrMVgfQDhB3yXNu7YUgYVODydkZjSbFIW1sIJXorzpbXhj0X7jCDscUIw/s2592/1698938855998.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1944" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifIC6-b9UXGUDUTiuAsfJEjdyGujlKagdZuTNOSyekNQHVwQ-8f6e5WF4hJiBDGEACqFY4Iid8vkA19X-ZYhyphenhyphenfxCk2gijXeojmaYS_leigMMhhV55qccPE-kJajmvz7aGfUKQrMVgfQDhB3yXNu7YUgYVODydkZjSbFIW1sIJXorzpbXhj0X7jCDscUIw/w300-h400/1698938855998.jpg" width="300" /></a></div><div style="text-align: center;"><br /></div><div><br /></div><div style="text-align: center;"><a href="https://www.amazon.co.uk/gp/search?ie=UTF8&tag=spainlifest0f-21&linkCode=ur2&linkId=0bb16a1b51a858d32017d13b7eec928d&camp=1634&creative=6738&index=books&keywords=spain, Seville" style="background-color: white; color: #b51200; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;" target="_blank"><b><span style="color: #990000; font-size: medium;">SPAIN RESOURCE BOOKS - click</span></b></a></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-63572049633887056892023-11-01T14:20:00.002+01:002023-11-03T11:43:22.560+01:00THE YOUTHFUL ST. JOSEPH AND THE ARTISTIC LEGACY OF BARTOLOMÉ ESTEBAN MURILLO<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjFkY5-gQ7C3jsP7ANKyAW9LomArIH3NhjsEjjBxbF66UOoQSg9GKzzLY3JiC-LKAuLCKtGD2n_2ygi1gSRYPNFkDFb97UA05eRR29uyxxbGtG3pwWDytjNDlLmbyaDf5Jyy-RK9P1h9gtiX5nEV7JhwmVpqQPHYAWc7futFR7fsuOZMnCU9YJIPR8MFc/s1986/1698843366764.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1986" data-original-width="1191" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjFkY5-gQ7C3jsP7ANKyAW9LomArIH3NhjsEjjBxbF66UOoQSg9GKzzLY3JiC-LKAuLCKtGD2n_2ygi1gSRYPNFkDFb97UA05eRR29uyxxbGtG3pwWDytjNDlLmbyaDf5Jyy-RK9P1h9gtiX5nEV7JhwmVpqQPHYAWc7futFR7fsuOZMnCU9YJIPR8MFc/w240-h400/1698843366764.jpg" width="240" /></a></div><p>I was very excited to see this beautifully restored (1665-1666) painting of St Joseph with his son. I had read a lot about it and that it was destined for the main altarpiece of the Capuchin monastery church in Seville.<span></span></p><a name='more'></a><p></p><p>Bartolomé Esteban Murillo was known for his unique and often innovative depictions of religious figures, including Saint Joseph as a handsome and youthful figure, which was somewhat unconventional for the time. This depiction of Saint Joseph as a youthful and handsome man contrasted with traditional depictions that showed him as an older, bearded man.</p><p>Murillo's approach to the depiction of Saint Joseph was a popular trend in the Baroque period. There was a growing emphasis on personal piety and a desire for approachable and accessible religious figures. By depicting St Joseph as a young man, the foster father to Jesus, artists and the Church made him more accessible to the faithful. This approach aimed to create a deeper personal connection between the people and the saints they venerated.</p><p>Murillo's mastery as a portrait painter is evident both in the image of Jesus, which he praises with angelic beauty and the special look of intensity, and in the figure of Joseph, traditionally dressed as a craftsman and carpenter. The artist also shows himself to be a great colourist, skilfully using the subtle pink tones in the child's tunic. Normally it is Joseph who holds his staff of recognition with lilies, but in this depiction Jesus has it in his left hand.</p><p>In the Baroque period, the Holy Family (Jesus, Mary and Joseph) also came into focus as a model for Christian households. The depiction of St Joseph as a young and active father was possibly intended to emphasise the importance of family life</p><p>This new trend fitted well with Murillo's general artistic emphasis on depicting the emotional and compassionate aspects of religious scenes.</p><p>Bartolomé Esteban Murillo, the Spanish Baroque painter, led a traditional family life. He was born in Seville in 1617 into a family of fourteen siblings, making him the youngest. Tragically, he lost his father at the age of nine and his mother just six months later. One of his older sisters, Ana, took care of him. She supported his artistic ambitions by allowing him to visit the workshop of a relative, the painter Juan del Castillo.</p><p>In 1645, he married Beatriz Cabrera, and together they raised a family of eleven children. Murillo's family life greatly influenced his art, especially his depictions of the Virgin Mary and Child. His depictions of the Holy Family, which often show tender and domestic scenes, reflect his own experiences as a husband and father.</p><p>Murillo's wife died in December 1663. The following decade was his most productive period as an artist. While working on an altar for the church of Santa Catalina in Cádiz, Murillo fell from a scaffold and died a few months later.</p><p>Murillo's art was closely interwoven with family and religious themes and contributed to his lasting legacy as one of the great painters of the Spanish Baroque.</p><p style="text-align: center;"><span face="Verdana, Geneva, sans-serif" style="background-color: white; color: #4d469c; font-size: 13px; font-weight: 700;"> </span><a href="https://www.amazon.co.uk/gp/search?ie=UTF8&tag=spainlifest0f-21&linkCode=ur2&linkId=0bb16a1b51a858d32017d13b7eec928d&camp=1634&creative=6738&index=books&keywords=spain, spanish art, Bartolomé Esteban Murillo" style="background-color: white; color: #b51200; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;" target="_blank"><b><span style="color: #990000; font-size: medium;">SPAIN RESOURCE BOOKS - click</span></b></a></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-22923589525396410522023-10-29T13:13:00.002+01:002023-10-29T13:13:23.919+01:00FROM CANINE COMPANION TO CANVAS HISTORY<p></p><div style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1gNzeNlHUmzS1vaLLa34ztVRD-tm9x8AHB0122FO_VZ6PoR8vVtAqYywFU19ksZgZlUUcoIWwfriOdIVsVV7KpFAI21kYyxNfO1sxPjLOmlWAw4Dj2eMIL_NFmfAmCG4Pr-euagxsoIwyZR19L6jDTsMqYSV1iZGLTQxfM32HUj0m6slIekDfAtYoGPU/s2359/1698579767751.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1427" data-original-width="2359" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1gNzeNlHUmzS1vaLLa34ztVRD-tm9x8AHB0122FO_VZ6PoR8vVtAqYywFU19ksZgZlUUcoIWwfriOdIVsVV7KpFAI21kYyxNfO1sxPjLOmlWAw4Dj2eMIL_NFmfAmCG4Pr-euagxsoIwyZR19L6jDTsMqYSV1iZGLTQxfM32HUj0m6slIekDfAtYoGPU/w400-h243/1698579767751.jpg" width="400" /></a></div><p></p><p>I first came across this painting while researching for my book "<a href="https://spanisharthistory.blogspot.com/2023/08/spanish-dogs-story-of-dogs-in-spanish.html" target="_blank"><b>Spanish Dogs: The Story of Dogs in Spanish History, Culture & the Arts</b></a>". It immediately caught my attention because unlike many other dogs depicted in Spanish art, this one was clearly a beloved pet. It was great to find it in the Museum of Fine Arts in Seville.<span></span></p><a name='more'></a><p></p><p>The notion of dogs as beloved companions of the bourgeoisie, i.e. the upper middle class and wealthy individuals, began to emerge in the 19th century. Before that, dogs were mainly kept for practical purposes, be it hunting, guarding or farm work. However, as cities grew and industrialisation took hold, people had more leisure time and began to keep dogs as companions to enjoy and keep them company.</p><p>The painting entitled 'Two Good Friends or Woman on a Sofa with Mastin' is an exquisite oil painting on canvas and measures 108 x 174 cm. It offers a glimpse of a bourgeois interior almost entirely dominated by the presence of a majestic mastiff. In the background, a woman leans on a sofa, creating a calm atmosphere that surrounds both characters — the quiet woman and her gentle companion, the dog. In this work of art, Andrés Parladé, Conde de Aguiar, showed a remarkable preference for the figure of the dog, to which he paid more attention than to the female subject.</p><p>Andrés Parladé, who was born in Málaga on 6 January 1859 and died in Seville in 1933, was the mastermind behind this captivating work. His love of dogs is not only evident in this painting, but also in various other works found in the collections of the Seville Fine Arts Museum, where his canine companions are recurring themes that add depth and charm to his art.</p><div class="separator" style="clear: both;"><div class="widget PopularPosts" data-version="1" id="PopularPosts1" style="background-color: white; border-radius: 0px; border: 1px solid rgb(238, 238, 238); box-shadow: rgba(0, 0, 0, 0.2) 0px 0px 20px; color: navy; font-family: Verdana, Geneva, sans-serif; font-size: 14px; line-height: 1.4; margin: 30px 0px 0px; min-height: 0px; padding: 0px 15px 15px; position: relative;"><div class="widget-content popular-posts" style="margin: 0px -15px; padding: 7px 15px 0px;"><ul style="line-height: 1.2; list-style: none; margin: 0px; padding: 0px 0px 0px 1.25em;"><li style="border: none; color: #4d469c; margin: 0px; padding: 0.7em 0px;"><div class="item-content"><div class="item-thumbnail" style="float: left; margin: 0px 5px 5px 0px;"><a href="https://spanisharthistory.blogspot.com/2023/08/spanish-dogs-story-of-dogs-in-spanish.html" style="color: #c32210; text-decoration-line: none;" target="_blank"><img alt="" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWTc1OIZHv8Ph8NbdZ72EUXTaTF_eWB4NXGdUe6oDnQRyX10TBv5Fma8YaOZ8jcEMUecCPFGojx9vpm89rzkrUBSkEXsY21hF_WahbBFtmbFXwd7S8M5aWMyU195fP41ZQ52Rk52lC5XaFcYidFltrvEBcO-0oN_sw1xO3CYW9eevSwR7ofeu4A-9yAS8/w200-h200/dogfull%20(1).png" style="background: transparent; border-radius: 0px; border: none; box-shadow: rgba(0, 0, 0, 0.2) 0px 0px 0px; padding: 8px 0.4em 8px 8px; position: relative;" width="160" /></a></div><div class="item-title" style="padding-bottom: 0.2em;"><a href="https://spanisharthistory.blogspot.com/2023/08/spanish-dogs-story-of-dogs-in-spanish.html" style="color: #c32210; text-decoration-line: none;">SPANISH DOGS - The Story of Dogs in Spanish History, Culture & the Arts</a></div><div class="item-snippet">Aiming to provide a comprehensive understanding of our beloved Spanish dogs, this exciting adventure will leave you with a newfound apprecia...</div></div></li></ul></div></div></div><div class="separator" style="clear: both; text-align: center;"><br style="background-color: white; color: #4d469c; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700;" /></div><p><br /></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-30335408534475234372023-10-29T12:32:00.003+01:002023-11-03T11:52:25.857+01:00EMBRACING FREEDOM: 'MALVALOCA' BY JOSÉ GARCÍA RAMOS<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi41E8a0ZN2yOniXcAzvEkLEEH95CMrBuUDqIK_Q2bizJVvbJkG_mKSF6pR5tBa4vykKDkuzk90zpOLFmAR0IozqqnF5dswI0l81z07rdYb6B3eKf3yT3cLcP-vKMb6GalkhqtPN5vjE8n17xR_-VidVbhWoX-5JIV1mndauCuiWwXeGRLPkE6cmij84pY/s2592/1698577190645.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1725" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi41E8a0ZN2yOniXcAzvEkLEEH95CMrBuUDqIK_Q2bizJVvbJkG_mKSF6pR5tBa4vykKDkuzk90zpOLFmAR0IozqqnF5dswI0l81z07rdYb6B3eKf3yT3cLcP-vKMb6GalkhqtPN5vjE8n17xR_-VidVbhWoX-5JIV1mndauCuiWwXeGRLPkE6cmij84pY/w266-h400/1698577190645.jpg" width="266" /></a></div><p>José García Ramos, a Romantic painter from the era I admire so much, was a true jewel of Seville who was born in 1852 and tragically died in 1912. I had the great pleasure of seeing his masterpiece "Malvaloca" in the Museum of Fine Arts in Seville. Just looking at this precious work of art left me in awe. This 1912 painting was José García Ramos' last masterpiece and a poignant tribute to a woman known as Rosita, but affectionately called Malvaloca, who was the main character in a play by the Álvarez Quintero brothers.<span></span></p><a name='more'></a><p></p><p>The canvas, an easel-sized oil painting on linen, measures 99.5 x 65.5 cm and has an undeniable appeal. With this work, García Ramos has beautifully captured a shift in artistic expression that characterised the early 1900s. The artists of this era, like him, were breaking away from the constraints of 19th century formalism. They took a freer and more light-hearted approach, trying to capture the essence of their subjects in a sensual and natural way. The model in "Malvaloca" is depicted in a relaxed, authentic and spontaneous pose and embodies the trend of the era towards more naturalism.</p><p>This period in art history paved the way for the diverse and innovative movements of the 20th century, such as Art Nouveau, Art Deco, Fauvism and Cubism. These movements challenged traditional artistic conventions and opened up new ways of representing the world and the human form.</p><p>It is worth noting that "Malvaloca" had to be restored to repair the weak points in the support structure, ensure the stability of the artwork and preserve it for future generations. This meticulous care and attention show the lasting impact of this painting.</p><p>José García Ramos was a remarkable artist who was deeply connected to the vibrant culture that surrounded him. His artistic journey took him from Seville to Rome and Paris, but he finally settled back in his beloved Seville in 1882, where he would spend the rest of his days. García Ramos possessed an exquisite sensitivity that enabled him to paint traditional scenes with unparalleled authenticity. His intuitive understanding of the popular temperament brought scenes full of vitality and joy to life in his works.</p><p>Everyday life was his source of inspiration, and he masterfully depicted folksy characters, from cigarette girls to gipsies, rogues, students and beggars. His canvas came alive with lovers sculling a cauldron in front of a fence, moonlit serenades and scenes of singing and dancing in courtyards, taverns and inns. Weddings, christenings and processions also found their way into his repertoire, all of which he depicted with grace and success.</p><p>Despite his prolific output, José García Ramos led a modest and comfortable life and never came into wealth. He was a respected artist in the eyes of the locals, but official recognition eluded him. His works were regularly submitted for national exhibitions, but they received only second-rate awards. In his later years, which were marked by personal misfortunes, he experienced a certain disillusionment when he realised that his talent was appreciated locally but did not receive the wider recognition he had hoped for.</p><p style="text-align: center;"><span style="background-color: white; color: #4d469c; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700;"> </span><a href="https://www.amazon.co.uk/gp/search?ie=UTF8&tag=spainlifest0f-21&linkCode=ur2&linkId=0bb16a1b51a858d32017d13b7eec928d&camp=1634&creative=6738&index=books&keywords=spain, Seville" style="background-color: white; color: #b51200; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;" target="_blank"><b><span style="color: #990000; font-size: medium;">SPAIN RESOURCE BOOKS - click</span></b></a></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-41485139048963912992023-10-29T11:33:00.001+01:002023-11-03T11:53:09.023+01:00THE UNVEILING OF 'THE DEATH OF THE MASTER': A PERSONAL ARTISTIC ODYSSEY<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFfDYR16YavcAIVU6yQPOWy-bjzDI9fUqcx6CWmkwE_EP-3h02akFpWG9wSvkJnAEtR033gHvFlpKE6JjUwGP4anlYiLLPuvBaWk8qFP4d71g31-bITjibykNl_piDioPaJ2bvCCLq1Fq44-jv_jdn7UD9vPB3dBFBcIpy1FZFnihnrKAN0d2dcmi4Gxo/s2489/1698573793744.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1541" data-original-width="2489" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFfDYR16YavcAIVU6yQPOWy-bjzDI9fUqcx6CWmkwE_EP-3h02akFpWG9wSvkJnAEtR033gHvFlpKE6JjUwGP4anlYiLLPuvBaWk8qFP4d71g31-bITjibykNl_piDioPaJ2bvCCLq1Fq44-jv_jdn7UD9vPB3dBFBcIpy1FZFnihnrKAN0d2dcmi4Gxo/w400-h248/1698573793744.jpg" width="400" /></a></div><p>The breathtaking work of art entitled "The Death of the Master" by the artist José Villegas Cordero (Seville, 1844 - Madrid, 1921) absolutely captivated me. This oil painting on canvas dominates an exhibition hall in the Museum of Fine Arts in Seville and measures 330 x 505 cm. It was created around 1884. This monumental masterpiece is the culmination of a series of paintings dedicated to a typically Spanish theme – bullfighting. What makes it truly unique within its romantic genre is its grand conception as a historical painting.<span></span></p><a name='more'></a><p></p><p>This work of art was born out of the vivid inspiration of a bullfight that took place in honour of El Tato, an event that Villegas himself attended in the bullring La Maestranza in Seville. It was a fateful occasion in which the matador Bocanegra suffered a serious injury. At that moment, Villegas recorded his impressions in notes that later found their way onto the canvas. It is astonishing that this masterpiece took fifteen years to complete and was marked by constant refinements and changes.</p><p>The painting unfolds a dramatic scene in the chapel of the bullring. The expressive figures in the composition show a wide range of sincere and genuine emotions as they surround the lifeless body of the master.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBAmy5dKfdbFoYwa0bt-bwgoYtMxvotbr94WL77XOwTTr5Fcwna4KrkJLu7bp1qXPSZAEQpQpWsogqWcutLPwKolbaXtuh8IM-5KyD_JThcfoD_fvtiGncwe9ZLY6y-O2hr6XiyGLV1W751EmhMc-rXagHTus1iUQW5xSRuvHOYYBZqmc7KT5mvcyN_dw/s2592/1698575450662.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1944" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBAmy5dKfdbFoYwa0bt-bwgoYtMxvotbr94WL77XOwTTr5Fcwna4KrkJLu7bp1qXPSZAEQpQpWsogqWcutLPwKolbaXtuh8IM-5KyD_JThcfoD_fvtiGncwe9ZLY6y-O2hr6XiyGLV1W751EmhMc-rXagHTus1iUQW5xSRuvHOYYBZqmc7KT5mvcyN_dw/w300-h400/1698575450662.jpg" width="300" /></a></div><p>As for the technique, you can observe variations in the way the paint is applied. Some areas are so delicately layered that the texture of the canvas shines through. In contrast, there are sections of thick impasto that reflect the various stages of change. With each layer applied, the brushstrokes become denser, creating a glossy surface that hides the underlying texture of the fabric. The colour palette also changes, becoming more vibrant and bold, with an increased play of light and shadow that adds more emotion and seriousness to the scene. </p><p>This artwork really speaks to me and I found its subtleties endlessly captivating. It's a good thing there's a bench right in front of it.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuVHraEkDXTpLz0wkzOfosIw0GPFyugtkClpcqylbw1EsQcA2FxsJu8B4VZo3zinEVxEE_Fw30VHKHqMYEbKFvVRimtLTnKB3EaVtDpeEhpOOgSMLEB4Lfj0luOw5CE4dKLyFOeqRSDjMvvhhUYZS9JyY_LSLEKtg3G_1yvh0BYauG8FoDMTOFmw1T9d4/s2592/1698575350828.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1944" data-original-width="2592" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuVHraEkDXTpLz0wkzOfosIw0GPFyugtkClpcqylbw1EsQcA2FxsJu8B4VZo3zinEVxEE_Fw30VHKHqMYEbKFvVRimtLTnKB3EaVtDpeEhpOOgSMLEB4Lfj0luOw5CE4dKLyFOeqRSDjMvvhhUYZS9JyY_LSLEKtg3G_1yvh0BYauG8FoDMTOFmw1T9d4/w400-h300/1698575350828.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsBEulpAYpSa9UG8ADNfEArzGnGdyWIDV6yTqOxGTbE_StXdGG-BEz7yl5YInv_RKVaj6oHRpZwBIBlTOC6LxxRaIHMPcXvqzmKucm-MNOd9tG0QmeLEGd-x4myGSTWgehvSiWJVV6ejyt4fgExnItvo1iNvD0ZXnzrBe-IOTJn348AQhZGVIFtTB4GA8/s2592/1698575076931.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1944" data-original-width="2592" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsBEulpAYpSa9UG8ADNfEArzGnGdyWIDV6yTqOxGTbE_StXdGG-BEz7yl5YInv_RKVaj6oHRpZwBIBlTOC6LxxRaIHMPcXvqzmKucm-MNOd9tG0QmeLEGd-x4myGSTWgehvSiWJVV6ejyt4fgExnItvo1iNvD0ZXnzrBe-IOTJn348AQhZGVIFtTB4GA8/w400-h300/1698575076931.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #4d469c; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700;"> </span><a href="https://www.amazon.co.uk/gp/search?ie=UTF8&tag=spainlifest0f-21&linkCode=ur2&linkId=0bb16a1b51a858d32017d13b7eec928d&camp=1634&creative=6738&index=books&keywords=spain, Seville" style="background-color: white; color: #b51200; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;" target="_blank"><b><span style="color: #990000; font-size: medium;">SPAIN RESOURCE BOOKS - click</span></b></a></div><br /><p><br /></p><p><br /></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-83278052417128139392023-10-29T10:21:00.002+01:002023-11-03T11:53:54.418+01:00ENCHANTING TALES OF THE GIRALDA<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPX-FBG7VviQsYCo1tSFCUIHqfGflOCe4aXHhuhGkLqmcfYTwGHBuLddJG8_v6QYuRWsxWD3NP3rMMzVCGJNXnrlD_VmiZUn-q8JGg5ynVbhJYppTDCLcWEFF25KHDduarVD2yn9OHmSQdiU4Qigt3R8nCClJuYXFp5j4To46KSaDWrxNo7-VUgDAaTA4/s2592/1698569726904.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1944" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPX-FBG7VviQsYCo1tSFCUIHqfGflOCe4aXHhuhGkLqmcfYTwGHBuLddJG8_v6QYuRWsxWD3NP3rMMzVCGJNXnrlD_VmiZUn-q8JGg5ynVbhJYppTDCLcWEFF25KHDduarVD2yn9OHmSQdiU4Qigt3R8nCClJuYXFp5j4To46KSaDWrxNo7-VUgDAaTA4/w300-h400/1698569726904.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: left;">Standing at the foot of the Giralda, I couldn't help but be impressed by the tower's history. I read a fascinating story about its architect, Ahmad ibn Baso, who made a remarkable promise. He challenged anyone to find a way to the top without using the stairs, offering a bag of gold as a reward. Many tried, but the Giralda's construction with its winding ramps proved unbeatable. This story brought the incredible engineering of the tower to life and I admired the ingenuity of the architect.<span><a name='more'></a></span></div><p>At the top of the Giralda is a small but charming bronze statue known as "La Giraldilla" There is a fascinating legend about this weather vane. It is said that La Giraldilla comes to life at night, looks over the city and acts as a sentinel, warning of impending disaster or intruders. This legend gave me a sense of the tower's mystical connection to the city and made my visit even more memorable.</p><p>While admiring the tower, I remembered reading about the fascinating bells it houses, each with its own name and purpose. The story of "Aña", the largest bell, was particularly captivating. The story goes that the unique and melodious sound of this bell was discovered when children tried to imitate the ringing of adults. Their accidental discovery led to the preservation of the beautiful sound of Aña. I couldn't help but smile when I thought of this treasured bell serenading special moments in the city, including my visit.</p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVBPZVP6RSACIA7jJgCXG9fG6UdUxkEvY7TWqidQs5VLxxtA_6qPSjQoGFzA5gg2KJY4X80dzVRXxnEMgHnEpf_Xc-uJgpRIjm8rp9kUmB6OeSkbyfPgZYoyQq4dtGLdenHdkGYLxQkw4nQdhlzIdoB6HkqIMlL1_RIvyN7Fo67Nkp62Oy_dZ5aaKbm-E/s2270/1698569999584.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2270" data-original-width="1702" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVBPZVP6RSACIA7jJgCXG9fG6UdUxkEvY7TWqidQs5VLxxtA_6qPSjQoGFzA5gg2KJY4X80dzVRXxnEMgHnEpf_Xc-uJgpRIjm8rp9kUmB6OeSkbyfPgZYoyQq4dtGLdenHdkGYLxQkw4nQdhlzIdoB6HkqIMlL1_RIvyN7Fo67Nkp62Oy_dZ5aaKbm-E/w300-h400/1698569999584.jpg" width="300" /></a></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUnr6rpEC6jFSzm5H3-kDDBdWfwP7AodFPz-sOpWq6YDf-tKkkUKjI2lt-X89xVvuA2vza2oB5fen0jelsAavb-m3LY7o4i2E_vlQLLpkQRq1bbv-S-JBo2oephVYT_pnAXK-_C-_thFHvXow51Z9pv3dgAW0AZo3jFsHojYQu_1o5nE1_kG0zETnHyic/s2592/1698569582144.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1944" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUnr6rpEC6jFSzm5H3-kDDBdWfwP7AodFPz-sOpWq6YDf-tKkkUKjI2lt-X89xVvuA2vza2oB5fen0jelsAavb-m3LY7o4i2E_vlQLLpkQRq1bbv-S-JBo2oephVYT_pnAXK-_C-_thFHvXow51Z9pv3dgAW0AZo3jFsHojYQu_1o5nE1_kG0zETnHyic/w300-h400/1698569582144.jpg" width="300" /></a></p><p style="text-align: center;"><br /></p><p style="text-align: center;"><span style="background-color: white; color: #4d469c; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700;"> </span><a href="https://www.amazon.co.uk/gp/search?ie=UTF8&tag=spainlifest0f-21&linkCode=ur2&linkId=0bb16a1b51a858d32017d13b7eec928d&camp=1634&creative=6738&index=books&keywords=spain, Seville, Giralda" style="background-color: white; color: #b51200; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;" target="_blank"><b><span style="color: #990000; font-size: medium;">SPAIN RESOURCE BOOKS - click</span></b></a></p><p style="text-align: center;"><br /></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-32601261205157294142023-10-28T14:17:00.004+02:002023-11-03T11:54:24.625+01:00ROMANTIC PAINTING BEAUTIFULLY CAPTURES THE ESSENCE OF CÓRDOBA'S HISTORIC CENTRE<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmFIs5N1K5eS1kiXnxYaXOTivgGIXhtJ4o_srsyjDLkMUzowJOZT0LJXQ065bbG1Iy0N1Cy4elCv2EmqU0Lujb4q-GZyRSzLCvYBp3kdeovcVqP-3maW_m0m-H4I0QkPgLd8Det-xCt2g4qXuwC5HeKyLmmRFuVwKt4xfussEMmyPkWraIoUE8EtTgInQ/s2165/1698493425628.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1499" data-original-width="2165" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmFIs5N1K5eS1kiXnxYaXOTivgGIXhtJ4o_srsyjDLkMUzowJOZT0LJXQ065bbG1Iy0N1Cy4elCv2EmqU0Lujb4q-GZyRSzLCvYBp3kdeovcVqP-3maW_m0m-H4I0QkPgLd8Det-xCt2g4qXuwC5HeKyLmmRFuVwKt4xfussEMmyPkWraIoUE8EtTgInQ/w400-h278/1698493425628.jpg" width="400" /></a></div><p>During my visit to the Fine Arts museum of Córdoba, I was captivated by an 1884 painting titled "Sunday in Córdoba on the banks of the Guadalquivir." This delightful artwork, a creation of the talented artist Rafael Romero Barros, instantly drew me in. Romero Barros, born in Moguer, Huelva in 1832 and later residing in Córdoba until 1895, was known for his romantic-style easel oil paintings. This particular piece measures a modest 38 x 55.5 cm, typical of the kind of work produced by artists of that era.<span></span></p><a name='more'></a><p></p><p>In the 19th century, the surge in northern European tourism to the southern regions of Spain, known for their blend of Moorish and Christian heritage, stemmed from the desire for novel cultural experiences. Easel paintings, being small and portable, emerged as the ideal artistic medium to cater to this growing tourism industry. Artists like Romero Barros met the demand for souvenirs by creating these paintings, which not only delighted the eye but also served as tangible reminders of the exotic charm of southern Spain. These artworks effectively preserved the cultural essence of the region, reflecting its architectural beauty, cultural diversity, and unique landscapes. Moreover, this era's cross-cultural influences enriched artistic output, as artists drew inspiration from their interactions with tourists and the diverse traditions they encountered.</p><p>In the 1880s, Romero Barros embarked on a series of works that showcased the urban and architectural landscapes of Córdoba. These works are regarded as some of the most significant contributions to the city's iconography in the 19th century.</p><p>The painting I encountered beautifully captures the essence of Córdoba's historic centre as it stretches toward the Guadalquivir. It exudes a joyful, festive ambiance, and what truly stands out are the artist's masterful treatment of transparencies and the reflections in the shimmering waters.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9hqFm0wet3o_uSGjnua6iBeL_tf_fixjjGAPQoiIuk4q_Jy0UqGxmXKiSpSFMhnmEAgilsWGiOAZg__nlTaD3srCnlB1ln3QEwExbvGQeqpSkxsGOhWcXDkT3GPGzcxeMPxwaT6h0Z3wGKKddq_0tw-ZkNq2Y0_dAxnm40Zr76CgRN02XB35_a05cDwI/s2592/1698492954473.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1944" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9hqFm0wet3o_uSGjnua6iBeL_tf_fixjjGAPQoiIuk4q_Jy0UqGxmXKiSpSFMhnmEAgilsWGiOAZg__nlTaD3srCnlB1ln3QEwExbvGQeqpSkxsGOhWcXDkT3GPGzcxeMPxwaT6h0Z3wGKKddq_0tw-ZkNq2Y0_dAxnm40Zr76CgRN02XB35_a05cDwI/w300-h400/1698492954473.jpg" width="300" /></a></div><p>In the landscape we can see the bell tower of the Mezquita in Córdoba, also known as the "Torre del Campanario" or "Tower of the Bell,". It is an iconic architectural feature of this historic mosque-cathedral, a distinctive blend of Moorish and Christian architecture. This square tower rises above the mosque-cathedral, featuring Moorish horseshoe arches at its base and a Christian Renaissance-style belfry above. It offers breathtaking panoramic views of Córdoba, symbolizing the city's cultural and historical diversity.</p><p>Also, visible is the blue dome of the Cathedral of Córdoba, a striking architectural feature, known for its vibrant azure colour and intricate decorative elements. It adds a touch of elegance and beauty to the cathedral, creating a sense of awe and reverence for visitors.</p><p>These artworks continue to provide us with insights into the cultural, historical, and artistic fusion that defined this fascinating period.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2UK6oetUESbGx86ypfqM1ez1463q2h7kDHQZ1zLaFcWYXlzxz5s7A_Xrvnm7PirE9xCJ3euo0URLGOFRoKTTgPwxrI-75tGSqUQmrt1XNmVfggRpbgJbjAeB0jEtli_v4_KKAtpWJ778HpyjO4vtp7OX0NPWff4Ff46m8JJPHesBd0T4IvKEgnUUsH5w/s2592/1698493916526.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1944" data-original-width="2592" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2UK6oetUESbGx86ypfqM1ez1463q2h7kDHQZ1zLaFcWYXlzxz5s7A_Xrvnm7PirE9xCJ3euo0URLGOFRoKTTgPwxrI-75tGSqUQmrt1XNmVfggRpbgJbjAeB0jEtli_v4_KKAtpWJ778HpyjO4vtp7OX0NPWff4Ff46m8JJPHesBd0T4IvKEgnUUsH5w/w400-h300/1698493916526.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #4d469c; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700;"> </span><a href="https://www.amazon.co.uk/gp/search?ie=UTF8&tag=spainlifest0f-21&linkCode=ur2&linkId=0bb16a1b51a858d32017d13b7eec928d&camp=1634&creative=6738&index=books&keywords=spain, Cordoba" style="background-color: white; color: #b51200; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;" target="_blank"><b><span style="color: #990000; font-size: medium;">SPAIN RESOURCE BOOKS - click</span></b></a></div><br /><p style="text-align: center;"><br /></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-10402056610176298412023-10-28T13:16:00.007+02:002023-11-03T11:56:48.201+01:00EXPLORING CÓRDOBA'S ENCHANTING JUDERÍA<div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLtAwMtwBbQZBNsNKETYSlLWS2FwtPo7A9pl3QMVyGu10VBqVjf6Pv-tdEeR6x-Fw1_0D2FNARM6vIIUQh-6cZc1Lqhtg0Ak_-7ZEqJl5Mk1dTXE_E8FWrNYOVDrxys-Nueaoq_wlvvQ5bn1y2nqeJH7EmMy81XxZxLPQO0LIajyg0zIZ7ycQrMTS-cL4/s2190/1698490212163.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2190" data-original-width="1643" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLtAwMtwBbQZBNsNKETYSlLWS2FwtPo7A9pl3QMVyGu10VBqVjf6Pv-tdEeR6x-Fw1_0D2FNARM6vIIUQh-6cZc1Lqhtg0Ak_-7ZEqJl5Mk1dTXE_E8FWrNYOVDrxys-Nueaoq_wlvvQ5bn1y2nqeJH7EmMy81XxZxLPQO0LIajyg0zIZ7ycQrMTS-cL4/w300-h400/1698490212163.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div>My journey to Córdoba was enhanced by the enchanting experience of exploring the city's renowned historic Jewish Quarter, known as the Judería. As I ventured into the heart of Córdoba, I found myself transported to a time when this neighbourhood was totally enclosed by formidable medieval walls, creating a distinct and culturally significant area within the city.<span><a name='more'></a></span></div><div><br /></div><div>Wandering through the Judería was like stepping into a living time capsule. Its narrow, winding streets beckoned me to wander deeper into the labyrinthine alleys, while whitewashed buildings stood as silent witnesses to centuries of history. The picturesque courtyards, reminiscent of the architectural style of the Middle Ages, were a true feast for the eyes.</div><div><br /></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc19p8XeWuBREcWIJhtcOw1zTDNrpUFl6KdH9EPQwtKjwhQccdnIQYLUrTwKZWS9zUN6sHd6s5ZqV84mr2597BUv4zHjrjO_RXntgJJ0qakRPc-LxGAQU1c9_Zvwyun4bZ_uHgpgGKP7Xr-KAB9kY1gGrwRGeoQ4tcqfzcyDROoVzX7paCp5f7kuYmNBo/s2592/1698490034831.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1944" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc19p8XeWuBREcWIJhtcOw1zTDNrpUFl6KdH9EPQwtKjwhQccdnIQYLUrTwKZWS9zUN6sHd6s5ZqV84mr2597BUv4zHjrjO_RXntgJJ0qakRPc-LxGAQU1c9_Zvwyun4bZ_uHgpgGKP7Xr-KAB9kY1gGrwRGeoQ4tcqfzcyDROoVzX7paCp5f7kuYmNBo/w300-h400/1698490034831.jpg" width="300" /></a></div><div><br /></div><div>As I delved into the history of the Judería, I discovered that while only part of the original walls are fully intact, the spirit of this place remains as vibrant as ever. The walls had once served a dual purpose: protection and segregation. In the Middle Ages, it was common for different religious and ethnic communities to live separately within the city, often behind these walls.</div><div><br /></div><div>The walls, now only echoes of their former strength, had provided security for the Jewish population against the threats of the era, including anti-Semitic violence that sadly was not uncommon. They were a silent sentinel, safeguarding the community during times of political and religious unrest.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ3zihyikjJr3zTphblQ12G3uXD-6jOfkAFWIIB9f9jzq5vzGBgRBUkWNNv4Y54Sy2mq6fiYFsO5_6v4vGwyni8VNHW_pc0_wme63RJzYDQE_VpXtc3QADkvAXCiMX6IW568cnlrXb0kLDIKGWHLhow-apMO6iQKRjAtcoTCX5WHtuNfBO7Y_f9M7Qa9w/s2592/1698491644808.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1944" data-original-width="2592" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ3zihyikjJr3zTphblQ12G3uXD-6jOfkAFWIIB9f9jzq5vzGBgRBUkWNNv4Y54Sy2mq6fiYFsO5_6v4vGwyni8VNHW_pc0_wme63RJzYDQE_VpXtc3QADkvAXCiMX6IW568cnlrXb0kLDIKGWHLhow-apMO6iQKRjAtcoTCX5WHtuNfBO7Y_f9M7Qa9w/w400-h300/1698491644808.jpg" width="400" /></a></div><br /><div>Intriguingly, the walls had also enforced segregation, a reminder of a complex era where Christian and Muslim authorities required Jews to live separately from other populations. These physical barriers maintained social and religious boundaries and controlled the movements of different groups within the city.</div><div><br /></div><div>Additionally, some believe the walls may have been used for the collection of taxes, as the enclosed Jewish quarter could be more easily regulated and taxed by the authorities.</div><div><br /></div><div>The Judería of Córdoba is a reminder of a time when different religious and ethnic communities coexisted, at times uneasily, behind the protection and separation of these ancient walls. Córdoba's Jewish Quarter, though transformed by the march of time, still stands as a testament to the enduring spirit of this captivating city and the stories that lie within its cobbled streets.</div></div><div><br /></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJOEL8MmELMewLb6u2xYbM0xpDREpVS-LKRFcZD2V4guj1nmjlEjfWpNoS-Er10q_md3dkQiDFdZz8756U6WImnbXTa8axQI_S6KWxbMZnwHfvxhL-BkEDMFsNYFUfTd0x7xwSnEfuiyyOLNidOl7DRgdKr57a88PICfJLaFvITDYW2CFJtdGwA_uYILg/s2592/1698490357614.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1944" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJOEL8MmELMewLb6u2xYbM0xpDREpVS-LKRFcZD2V4guj1nmjlEjfWpNoS-Er10q_md3dkQiDFdZz8756U6WImnbXTa8axQI_S6KWxbMZnwHfvxhL-BkEDMFsNYFUfTd0x7xwSnEfuiyyOLNidOl7DRgdKr57a88PICfJLaFvITDYW2CFJtdGwA_uYILg/w300-h400/1698490357614.jpg" width="300" /></a></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYqnvyW8sKqkp5iPja2Hu0weKa09ZMRf6BHtzS8VFq70748rl8cwz1iyzljSVgJvQG87QoKdUy1a3UDhErYzKJ_Ei6b-mIiXrqyqb7274thvfrTxY_tCRTTPdq9YQ2Jea9l9FfFzBbjiAEl-O1jp9fQi0Gn59rln8nkCguakb2pmAQOrWSoULF5pSEINQ/s2592/1698490502307.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="1944" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYqnvyW8sKqkp5iPja2Hu0weKa09ZMRf6BHtzS8VFq70748rl8cwz1iyzljSVgJvQG87QoKdUy1a3UDhErYzKJ_Ei6b-mIiXrqyqb7274thvfrTxY_tCRTTPdq9YQ2Jea9l9FfFzBbjiAEl-O1jp9fQi0Gn59rln8nkCguakb2pmAQOrWSoULF5pSEINQ/w300-h400/1698490502307.jpg" width="300" /></a></div><div><br /></div><div style="text-align: center;"><span face="Verdana, Geneva, sans-serif" style="background-color: white; color: #4d469c; font-size: 13px; font-weight: 700;"> </span><a href="https://www.amazon.co.uk/gp/search?ie=UTF8&tag=spainlifest0f-21&linkCode=ur2&linkId=0bb16a1b51a858d32017d13b7eec928d&camp=1634&creative=6738&index=books&keywords=spain, Cordoba" style="background-color: white; color: #b51200; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;" target="_blank"><b><span style="color: #990000; font-size: medium;">SPAIN RESOURCE BOOKS - click</span></b></a></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-90416911772640036282023-10-27T14:28:00.002+02:002023-11-03T11:57:10.083+01:00CORDOBA'S MIHRAB: THE SACRED SPACE UNVEILED<p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoN-jh5NtoZaCnbuiUU7gnHyLeVsJsr2k9hf6B39GNI2-eMlmu0WArQ2q_g7OKVTbS4LljtpzZg7V_Qv2zxD335RZHpqZe1_LOWnAlWqMSUvzpPr-BZDi7joPb1pbgGjZ4S0NKlqvMhL3ta_11I1Oq86kd-JkAwvu62DMuOtMvUtqLxQRiXpfo4hVaiag/s1359/minr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1359" data-original-width="1019" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoN-jh5NtoZaCnbuiUU7gnHyLeVsJsr2k9hf6B39GNI2-eMlmu0WArQ2q_g7OKVTbS4LljtpzZg7V_Qv2zxD335RZHpqZe1_LOWnAlWqMSUvzpPr-BZDi7joPb1pbgGjZ4S0NKlqvMhL3ta_11I1Oq86kd-JkAwvu62DMuOtMvUtqLxQRiXpfo4hVaiag/w300-h400/minr.jpg" width="300" /></a></div><br />As I stood in the enchanting Mosque-Cathedral of Córdoba, my eyes were drawn to the mesmerizing Mihrab. It was no ordinary niche; instead, it unfolded as a sacred space, a small octagonal chamber enveloped by a delicate scallop shell dome. The Mihrab seemed to project itself into the depths of history, taking me on a journey through time.<span><a name='more'></a></span><p></p><p>This sacred alcove rose gracefully upon a marble pedestal, bearing inscriptions that celebrated its creators and were adorned with verses from the Quran. Above, intricate trefoil arches and an abundance of stylized floral patterns graced the walls, creating a sense of wonder that immersed me in its beauty.</p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifhDhJgS7gf_XkOVfIkr5kpiFbH0PUbqXlORV4mo8iWVek2g1VryIGqQv32O1boypX2lebVUomP3QEzC0IJz8OPJMqiCAeqn2LCWruzel0H0Z0zyyP7EXGQGrxvyBZr3QWC0vtgob8wLBPBUPM7ZBWl8KUa1aqeEFoEAcqZh7tXc4JsSqiIIIIUbtG8oU/s1285/min.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1285" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifhDhJgS7gf_XkOVfIkr5kpiFbH0PUbqXlORV4mo8iWVek2g1VryIGqQv32O1boypX2lebVUomP3QEzC0IJz8OPJMqiCAeqn2LCWruzel0H0Z0zyyP7EXGQGrxvyBZr3QWC0vtgob8wLBPBUPM7ZBWl8KUa1aqeEFoEAcqZh7tXc4JsSqiIIIIUbtG8oU/w400-h336/min.jpg" width="400" /></a></p><p>The entrance to this sacred enclave was framed by a gracefully inclined horseshoe arch, embellished with mosaics reflecting the Byzantine tradition. These masterpieces, crafted by artisans dispatched by Emperor Nicephorus II, showcased geometric and vegetal designs, along with Quranic verses that whispered centuries of devotion.</p><p>But what truly captivated me was the fusion of culture and artistry that flourished within this space. The Mihrab was a testament to the enduring legacy of human ingenuity and the power of unity. As my eyes traced the mosaic patterns and the stylized flora that danced along the walls, the "Tree of Life" motif stood out, a reminder of the everlasting connection between all of humanity.</p><p>At that moment, the Mihrab within the Mosque-Cathedral of Córdoba became more than just a work of art; it was a bridge between worlds, a tangible testament to the beauty of diversity and the harmony that can emerge from cultural exchange. It whispered to me of history's intricacies and the timeless pursuit of spiritual solace, and it invited me to embrace the universal bonds that unite us all.</p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdcdq01oWBge3rlT36dOAi4LOg31H9v1QI6OTzzmDxmaf1_iIZDB9uExzWB-Xj_k0LdJN7kk5QQtI7l-vNxuxIayMcGIMo-toJMZqJ4B8IcqsBsYbvhpJFiDtL58RPIv3_5JKWWZGPf70YBc_d4G8PizitJv9I3wA_x4dhXzgtvxV879-ZwqSwTaC8TqQ/s1440/minra.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdcdq01oWBge3rlT36dOAi4LOg31H9v1QI6OTzzmDxmaf1_iIZDB9uExzWB-Xj_k0LdJN7kk5QQtI7l-vNxuxIayMcGIMo-toJMZqJ4B8IcqsBsYbvhpJFiDtL58RPIv3_5JKWWZGPf70YBc_d4G8PizitJv9I3wA_x4dhXzgtvxV879-ZwqSwTaC8TqQ/w300-h400/minra.jpg" width="300" /></a></p><p style="text-align: center;"><span face="Verdana, Geneva, sans-serif" style="background-color: white; color: #4d469c; font-size: 13px; font-weight: 700;"> </span><a href="https://www.amazon.co.uk/gp/search?ie=UTF8&tag=spainlifest0f-21&linkCode=ur2&linkId=0bb16a1b51a858d32017d13b7eec928d&camp=1634&creative=6738&index=books&keywords=spain, Cordoba" style="background-color: white; color: #b51200; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;" target="_blank"><b><span style="color: #990000; font-size: medium;">SPAIN RESOURCE BOOKS - click</span></b></a></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-32990643138303810732023-10-27T13:27:00.004+02:002023-11-03T11:57:30.043+01:00ORANGES OF ANDALUSIA: A PAINTER'S MASTERPIECE<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJJ1KK7k1fgmljFJai0EJ5KrCi9N_HXNvLxxlKjMIDC7lAMuwnI0plz2GrBvh49vzMCNu79P1vRcvZoAN6WzX7oSAp600JwaN6wC6WWAliuTT1BBJRDDsQjTEEGA-1FQBB8pTu8qpSFW3q8MykuoJ7MRVis1qq820Y3BSdpp3Y1_ZLjnwq27Ph5BUGSTo/s630/oranges.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="630" data-original-width="496" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJJ1KK7k1fgmljFJai0EJ5KrCi9N_HXNvLxxlKjMIDC7lAMuwnI0plz2GrBvh49vzMCNu79P1vRcvZoAN6WzX7oSAp600JwaN6wC6WWAliuTT1BBJRDDsQjTEEGA-1FQBB8pTu8qpSFW3q8MykuoJ7MRVis1qq820Y3BSdpp3Y1_ZLjnwq27Ph5BUGSTo/w315-h400/oranges.jpg" width="315" /></a></div><p>I extend a warm invitation to all those who hold a deep admiration for the beauty of Spanish art to embark on a captivating journey to the Fine Arts Museum of Córdoba. There, you will have the opportunity to introduce yourself to the artist Rafael Romero Barros and this extraordinary work.<span></span></p><a name='more'></a><p></p><p>Entitled "Still Life of Oranges" and crafted in the year 1863, this masterpiece is an awe-inspiring celebration of naturalism. It takes you on a mesmerizing voyage through the heart of Andalusia, where the life cycle of oranges unfolds before your very eyes. From the delicate blossoms adorning the tree to the luscious, ripe fruit gracefully hanging from its branches, the journey culminates in the sumptuous fruits laid out upon a table.</p><p>Every stroke of the artist's hand, from the artful rendering of cut and torn oranges to the exquisite rendering of the glistening albedo (the purity of the orange), showcases an almost scientific precision transformed into a work of art. The level of detail is nothing short of extraordinary.</p><p>The clarity of the light that bathes this still life composition serves to enhance the vibrancy of colours, all set against a backdrop of a delightful bouquet of flowers. The overall effect is one of unadulterated joy and an overwhelming aura of positivity. </p><p>It is with a heavy heart that I confess that my own photograph of this masterpiece does not fully capture the profound aesthetic experience that is beheld in person. To truly appreciate the dance of light, the explosion of colour, and the emotions it evokes, you must witness this wondrous piece with your own eyes. It is an adventure of admiration that awaits you at the Fine Arts Museum of Córdoba.</p><p style="text-align: center;"><span face="Verdana, Geneva, sans-serif" style="background-color: white; color: #4d469c; font-size: 13px; font-weight: 700;"> </span><a href="https://www.amazon.co.uk/gp/search?ie=UTF8&tag=spainlifest0f-21&linkCode=ur2&linkId=0bb16a1b51a858d32017d13b7eec928d&camp=1634&creative=6738&index=books&keywords=spain, Cordoba" style="background-color: white; color: #b51200; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;" target="_blank"><b><span style="color: #990000; font-size: medium;">SPAIN RESOURCE BOOKS - click</span></b></a></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-87777836120008616332023-10-27T13:14:00.002+02:002023-10-27T13:14:28.499+02:00CORDOBA'S HYPOSTYLE HALL: A LIVING LEGACY<p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCDv4cDtMBB7VQyR6QZZBoApyZa8Uhurzb0TVH5ihXn68uyO-aoDuy3SwU3pspAjnVI4sjN2_nQF1UEc31jcfmmUwY1rYelo14Kfr6SCM6iPtb6JWbc8ztLzvk3aCEDQutcZ3a7yatP-1tGM6wjZZfaIEyxU300VuyE4NH7dtt3mLdp86frgD1mvpzqSU/s1440/hall3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1440" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCDv4cDtMBB7VQyR6QZZBoApyZa8Uhurzb0TVH5ihXn68uyO-aoDuy3SwU3pspAjnVI4sjN2_nQF1UEc31jcfmmUwY1rYelo14Kfr6SCM6iPtb6JWbc8ztLzvk3aCEDQutcZ3a7yatP-1tGM6wjZZfaIEyxU300VuyE4NH7dtt3mLdp86frgD1mvpzqSU/w400-h300/hall3.jpg" width="400" /></a></div><p></p><p>Stepping into the Hypostyle Hall of the Mosque-Cathedral of Córdoba was like embarking on a mesmerizing journey through time, culture, and art. This extraordinary space isn't merely a physical structure; it's a living testament to the rich tapestry of Al-Andalus's cultural and historical heritage.<span></span></p><a name='more'></a><p></p><p>As I wandered through this hallowed hall, I felt as though I had been transported through the pages of history. Each step I took allowed me to bear witness to the artistic visions of the various rulers and caliphs who had left their mark on the ever-evolving beauty of the Mezquita. The double arches, gracefully nested within one another, revealed the intricate craftsmanship and architectural innovation that defined this sacred space.</p><p>The choice of building materials added a layer of depth to the story. Over 850 columns, standing tall and proud, supported a mesmerizing ceiling adorned with arches. These columns were crafted from a stunning array of precious stones – jasper, onyx, marble, granite, and porphyry. I was particularly drawn to the granite, filled with coarse-grained crystals, a true work of art in its own right. These locally sourced materials breathed life into the hall, and the alternating red and white stone voussoirs adorning the horseshoe arches created a captivating rhythm. The U-shaped arches, synonymous with the pinnacle of Islamic architecture, resonated with a sense of wonder and admiration.</p><p>This awe-inspiring space, with its diverse columns made of precious stones, continues to draw tourists and scholars alike, acting as a portal to a world where history, culture, and art seamlessly converge into a harmonious blend. It was a profound and humbling experience to be immersed in the grandeur and the enduring legacy of the Hypostyle Hall.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC5QtvS-1355ez7JqtGjkwmMDuLX8jRvZ5XkwRw9m1JXEfA397CNWdjO1Iw3pb4HSskz8BQC91ZfhUzh63sUHqZ3tfqB39ovG8Kn-NGxtccPVugLX47TZ7Ppa3Bn-IkjRuYwrkuRTd2sx4mgFWBg7BDBm34WeK0pfqls7K7SB7KhFJLwG1JOtgF9a_YnA/s1440/hall.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC5QtvS-1355ez7JqtGjkwmMDuLX8jRvZ5XkwRw9m1JXEfA397CNWdjO1Iw3pb4HSskz8BQC91ZfhUzh63sUHqZ3tfqB39ovG8Kn-NGxtccPVugLX47TZ7Ppa3Bn-IkjRuYwrkuRTd2sx4mgFWBg7BDBm34WeK0pfqls7K7SB7KhFJLwG1JOtgF9a_YnA/w300-h400/hall.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span face="Verdana, Geneva, sans-serif" style="background-color: #ffa400; color: #14014c; font-family: Verdana, Geneva, sans-serif; font-size: 32px; font-weight: 700;"><span style="font-size: medium;">APPRECIATE ART & CULTURE * LOVE SPAIN</span></span><br style="background-color: white; color: #14014c; font-family: Verdana, Geneva, sans-serif; font-size: 32px; font-weight: 700;" /><b style="background-color: white; color: #990000; font-family: Verdana, Geneva, sans-serif; font-size: 16.5px;">Resource Books </b><span face="Verdana, Geneva, sans-serif" style="background-color: white; color: #14014c; font-family: Verdana, Geneva, sans-serif; font-size: 14.3px; font-weight: 700;">* </span><b style="background-color: #fcff01; color: #14014c; font-family: Verdana, Geneva, sans-serif; font-size: 14.3px;"><a href="http://www.spainlifestyle.com/p/books.html" style="color: #972702; text-decoration-line: none;">CLICK HERE</a> </b><span face="Verdana, Geneva, sans-serif" style="background-color: white; color: #14014c; font-family: Verdana, Geneva, sans-serif; font-size: 14.3px; font-weight: 700;">*</span></div><br /><p></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-84218506908984966572023-10-27T12:22:00.007+02:002023-11-03T11:57:44.711+01:00WHISPERS OF HISTORY: THE MOSQUE-CATHEDRAL'S ARCHITECTURAL TALE<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxoZCUyPdgT0H5O9nLnsDKFZrsmwWjERDgaOTMJoWEy4rS1SM9SiaQ_NXpmwO_c01zLkkmabpPz7A_VWoRkzaueAsAqPj0krY6bGcqkApa6vmcYpHcvSI63lkO_Bu1p8QmhV3onoa2R4K70smw510kGN93YBntBArF8AovXEYkCOxzwp-SPy1tiBmFrJg/s1440/mequita.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxoZCUyPdgT0H5O9nLnsDKFZrsmwWjERDgaOTMJoWEy4rS1SM9SiaQ_NXpmwO_c01zLkkmabpPz7A_VWoRkzaueAsAqPj0krY6bGcqkApa6vmcYpHcvSI63lkO_Bu1p8QmhV3onoa2R4K70smw510kGN93YBntBArF8AovXEYkCOxzwp-SPy1tiBmFrJg/w300-h400/mequita.jpg" width="300" /></a></div><p>The Mosque-Cathedral of Córdoba, in the heart of Córdoba, is an awe-inspiring testament to the fusion of two rich architectural traditions, Islamic and Christian. What strikes me the most about this historical gem is its remarkable and intricate architectural journey.<span></span></p><a name='more'></a><p></p><p>Back in the 8th century, during the reign of Islamic rule, the mosque took shape as a masterpiece of design. It's truly a sight to behold, with its vast expanse of columns and arches, meticulously crafted from an array of exquisite materials like jasper, marble, and granite. As you step into the central hall, you're greeted by a breathtaking sea of columns and double-tiered arches, each a testament to Islamic artistry. The graceful horseshoe arches and the mesmerizing geometric patterns weave a story of Islamic architectural brilliance that leaves me in wonder.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbx0Jp20zWhErs0FjRKjv7mFICZOFN9Jf8-DJ8TqpTgenHgWMnV9w_E-V8JMAEFXMi1cE3oRxGCOHAIGJVc78p94gP7EK0dtvxM-v5zABC2yhcIyNoL1ZCYXHiOVAKtOXIhtX4X1OzzNJyY1qrl1b_ZueNf4F2AWl87qpQzjSpwzARnhrJH26VQMqtfgI/s960/mequita.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbx0Jp20zWhErs0FjRKjv7mFICZOFN9Jf8-DJ8TqpTgenHgWMnV9w_E-V8JMAEFXMi1cE3oRxGCOHAIGJVc78p94gP7EK0dtvxM-v5zABC2yhcIyNoL1ZCYXHiOVAKtOXIhtX4X1OzzNJyY1qrl1b_ZueNf4F2AWl87qpQzjSpwzARnhrJH26VQMqtfgI/w300-h400/mequita.jpg" width="300" /></a></div><p>But it's the mosque's transformative history that captivates me the most. In the 13th century, Christian forces reclaimed Córdoba, setting the stage for a significant transformation. The mosque was reborn as a Christian cathedral. What truly takes my breath away is the harmonious fusion of Gothic elements within the original Islamic structure during the Reconquista. </p><p>As I explore the cathedral, I'm enchanted by the Gothic features, like ribbed vaults adorned with pointed arches, often graced with intricate tracery and ornate motifs. These vaults add a sense of verticality and space, a hallmark of Gothic architecture. The ribs in the vaulting system intersect to create mesmerizing patterns that not only enhance the visual appeal but also contribute to the structural stability of the interior.</p><p>This blending of Islamic and Gothic styles within the Mesquita is a captivating architectural journey that I find truly inspiring. It stands as a testament to the rich history and cultural heritage of Spain, where different traditions come together to create something truly extraordinary.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3as_QEJHCRRLyMZyrd8W9QUjeNBcgtqX2YVmXZXc0nxlaUYFb5K7mKyjwqFp-AYBSDm0DNR1KfXt7Uu9W8xu1TzhGVqfWcBAQCu2zomTliKMtf7VfViGCRLspOuo0ZWFyLYEqxywa6MMw4j7fzj3m7Jw43oxzhhyphenhyphenJB3vJPUDCw8ljgE8keTniF-ub-F0/s1440/mequita2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3as_QEJHCRRLyMZyrd8W9QUjeNBcgtqX2YVmXZXc0nxlaUYFb5K7mKyjwqFp-AYBSDm0DNR1KfXt7Uu9W8xu1TzhGVqfWcBAQCu2zomTliKMtf7VfViGCRLspOuo0ZWFyLYEqxywa6MMw4j7fzj3m7Jw43oxzhhyphenhyphenJB3vJPUDCw8ljgE8keTniF-ub-F0/w300-h400/mequita2.jpg" width="300" /></a></div><br /><p style="text-align: center;"><span face="Verdana, Geneva, sans-serif" style="background-color: white; color: #4d469c; font-size: 13px; font-weight: 700;"> </span><a href="https://www.amazon.co.uk/gp/search?ie=UTF8&tag=spainlifest0f-21&linkCode=ur2&linkId=0bb16a1b51a858d32017d13b7eec928d&camp=1634&creative=6738&index=books&keywords=spain, Cordoba" style="background-color: white; color: #b51200; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;" target="_blank"><b><span style="color: #990000; font-size: medium;">SPAIN RESOURCE BOOKS - click</span></b></a></p><div><span face="Verdana, Geneva, sans-serif" style="background-color: white; color: #14014c; font-size: 14.3px; font-weight: 700;"><br /></span></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-15685477080152079952023-10-26T20:45:00.002+02:002023-10-26T20:45:47.996+02:00THE REMARKABLE TALE OF COLUMBUS AND BEATRIZ: A LOVE FOUND IN CÓRDOBA<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5Ng80oQdKx3vrwp724lS6SgZzR9y2F62N2CoQq3pPQSS1taIGeHV_0LwKYWUzOWazaishW4GxSoamMpIC-te09JMbXLgK0WKd17iZrsVztKMZA6tSO8vj13ZtN1FpX78CetBluzvhFzOoiTS6sfLcdhdcHW9zzdK20NNnHDApX-0XTl_YhkJDVZbuK48/s1068/FB_IMG_1698345141506.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1068" data-original-width="809" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5Ng80oQdKx3vrwp724lS6SgZzR9y2F62N2CoQq3pPQSS1taIGeHV_0LwKYWUzOWazaishW4GxSoamMpIC-te09JMbXLgK0WKd17iZrsVztKMZA6tSO8vj13ZtN1FpX78CetBluzvhFzOoiTS6sfLcdhdcHW9zzdK20NNnHDApX-0XTl_YhkJDVZbuK48/w303-h400/FB_IMG_1698345141506.jpg" width="303" /></a></div><br /><div class="separator" style="clear: both; text-align: left;">The painting "Columbus Leaving the Mosque Where Beatriz Appears" by Rafael Romero de Torres, created in 1892, is displayed at the Museum of Fine Arts of Córdoba. <span><a name='more'></a></span></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">This artwork, inspired by the poem "Romance of a Great Man" by the Duke of Rivas, depicts the moment in 1487 when Christopher Columbus, while in Córdoba seeking support from the Catholic Monarchs for his voyage to the Indies, leaves to pray in the Mosque-Cathedral. It's during this visit that he first encounters Beatriz Enríquez de Arana, his future wife, who defends him against the mockery of children who consider him crazy and offers him shelter.</div><p>This painting is one of the few historical works with a purely local subject created in Córdoba and is believed to have been produced in 1892 to commemorate the IV Centennial of the discovery of America by the city. Beatriz Enríquez de Arana was the lover of Christopher Columbus, even though he was already a widower after the passing of Felipa Moniz. Beatriz went on to become the mother of Columbus's son, Hernando Colón. </p><p>Their meeting took place in 1486-87 when Columbus was seeking support for his Indies expedition from the monarchs. Despite never formalizing their marriage, they remained together, and in 1488, Hernando Colón was born. When Christopher embarked on his journey to America in 1492, he entrusted the care of his two children to Beatriz, who performed her duties so diligently that she earned commendation from Queen Isabella.</p><p>Upon Columbus's death, he bequeathed his fortune to Beatriz. This wealth resulted from his role as the governor of the West Indies, which granted him 10% of the profits from the voyages due to the Capitulations of Santa Fe. Despite this inheritance, Beatriz never claimed it, and Columbus's first son, Diego, regarded her as his true mother.</p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4346583801793988052.post-22507014248103678312023-10-26T17:07:00.005+02:002023-11-03T11:58:02.040+01:00SURPRISES IN THE HEART OF CORDOBA: THE TALE OF PLAZA DEL POTRO<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJCUnQxESpwCf0zL8H2rpMFW81YW8SbgYYE6U1lLde-B12bjRx5TGFksPp0Sl1q7VB5YbSgzSCWIOH56C8wl1HnCjf6atJpdzyQhRo9PgvIPNBy7jUHsLWcoFc1NLSEFSWpdlXIAxR2rTNfIN1cefiwrBH7_cPYcEiZRof6J6vSvob4jHV4He2dwPkaYo/s1371/CORDOBA.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1371" data-original-width="1028" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJCUnQxESpwCf0zL8H2rpMFW81YW8SbgYYE6U1lLde-B12bjRx5TGFksPp0Sl1q7VB5YbSgzSCWIOH56C8wl1HnCjf6atJpdzyQhRo9PgvIPNBy7jUHsLWcoFc1NLSEFSWpdlXIAxR2rTNfIN1cefiwrBH7_cPYcEiZRof6J6vSvob4jHV4He2dwPkaYo/w300-h400/CORDOBA.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div>Córdoba, a maze of criss-crossing micro streets, beckoned me on a thrilling escapade as I descended from the bustling Plaza de Capuchinos towards the Museum of Fine Arts. Just when I thought I had unravelled the city's secrets, a delightful surprise awaited me in the form of the Plaza del Potro, home to the famous Posada del Potro immortalized by Cervantes in Don Quixote, standing guard at the entrance to the illustrious museum.<span><a name='more'></a></span><p></p><p>Right at the heart of this square, a mischievous spirit seemed to hover over the Potro Fountain, crowned by a spirited colt figure rearing its hooves while clutching a city coat of arms sign. This Renaissance-style fountain, a time traveller from 1577, not only adds an air of history but lends its name to the square itself, thanks to the curious rack perched atop it. Back in the Golden Age, this square was a hub for the city's mischievous characters and rascals. Fun fact: Until 1847, it held court on the opposite side of the square from where it now proudly stands, keeping its watchful eye on Córdoba's ever-evolving adventures.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSw7Hw-RmWAOFFPbOB9u2p4E_TrMqI3vcP2YXJTY0JgnS2xRdev24rwCXWtZ8aWAoU-MN-0mMvkHYhv00YDCW79QSim_jASEDdy2XrHDezVy0kktMyKLSuElnm0paWyzl7xQzkBT2_jWxk7VxNEyX-OrGttVatc1OFUQybRO8Oq5TVCiMC9FXwPVyiCog/s1277/CORDOBA2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="760" data-original-width="1277" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSw7Hw-RmWAOFFPbOB9u2p4E_TrMqI3vcP2YXJTY0JgnS2xRdev24rwCXWtZ8aWAoU-MN-0mMvkHYhv00YDCW79QSim_jASEDdy2XrHDezVy0kktMyKLSuElnm0paWyzl7xQzkBT2_jWxk7VxNEyX-OrGttVatc1OFUQybRO8Oq5TVCiMC9FXwPVyiCog/w400-h238/CORDOBA2.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><div class="separator" style="clear: both;">The Museum of Fine Arts in Córdoba resides in a historic architectural gem that exudes timeless elegance. This enchanting edifice, with its graceful blend of Renaissance and Baroque styles, stands as a testament to the city's rich cultural heritage. Its grand façade, adorned with ornate details and carved stone accents, beckons visitors to delve into the treasures within.</div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">Once a 16th-century convent, this building has been lovingly repurposed to house an exceptional collection of art spanning centuries. Its spacious halls and lofty ceilings create a majestic ambiance, where every step through its well-preserved corridors unveils a piece of Córdoba's artistic legacy. The Museum of Fine Arts of Córdoba, nestled within this architectural masterpiece, offers a captivating journey through the city's artistic past and present.</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAbPW4QS0H1o5lDEKWNbnvcIhtDBif8sVGf_Ao31vcKdXTGuevwIZ56GrEmvWdj97d1tIpF7VwkZAU2VLZrPRLpmv5xw9eo6JMKYxRjuf2rBUYdEeEMiQ7VKrmJBsGbJY181BGUrRM4Uk9XlBMWh3gPPD3zO8gsdOEdaQZkZc2O1BuyT46sgHCslqRT84/s1440/cordfa.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAbPW4QS0H1o5lDEKWNbnvcIhtDBif8sVGf_Ao31vcKdXTGuevwIZ56GrEmvWdj97d1tIpF7VwkZAU2VLZrPRLpmv5xw9eo6JMKYxRjuf2rBUYdEeEMiQ7VKrmJBsGbJY181BGUrRM4Uk9XlBMWh3gPPD3zO8gsdOEdaQZkZc2O1BuyT46sgHCslqRT84/w300-h400/cordfa.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span face="Verdana, Geneva, sans-serif" style="background-color: white; color: #4d469c; font-size: 13px; font-weight: 700;"> </span><a href="https://www.amazon.co.uk/gp/search?ie=UTF8&tag=spainlifest0f-21&linkCode=ur2&linkId=0bb16a1b51a858d32017d13b7eec928d&camp=1634&creative=6738&index=books&keywords=spain, Cordoba" style="background-color: white; color: #b51200; font-family: Verdana, Geneva, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;" target="_blank"><b><span style="color: #990000; font-size: medium;">SPAIN RESOURCE BOOKS - click</span></b></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></div>Unknownnoreply@blogger.com