Joaquín Sorolla Exhibition at the Fundación Bancaja, Valencia

Recently, I had the great pleasure of visiting the Joaquín Sorolla exhibition at the Fundación Bancaja in Valencia with nine of my students. It was a truly remarkable experience. For me, it was especially thrilling to encounter several paintings that have long remained in the Sorolla family’s private collection, works that earned recognition and awards in academic exhibitions not only in Spain but across Europe and the United States.

MASKS OF THE YOUNG PICASSO


I AM STRUCK by the composition and spatial distancing of the characters in Picasso’s 1900 painting, "Pierrot and Colombina", which creates an interplay that seems to mirror his own sense of being an outsider. Pierrot and Colombina, the central figures in this work, are not inventions of Picasso’s imagination but rather theatrical archetypes from the Italian Commedia dell’Arte, which migrated across Europe and became immensely popular in Paris by the late 19th century.

Picasso’s Child with a Dove

IN 1901, PABLO PICASSO was barely twenty years old, brilliant, ambitious, and already restless. He had left Spain to chase success in Paris, where modern art was reinventing itself in the cafés and galleries of Montmartre. But that same year, his closest friend, Carlos Casagemas, took his own life, a loss that left Picasso heartbroken and profoundly changed. Standing between youthful optimism and personal grief, he created Child with a Dove, a painting that captures both innocence and the first shadow of sorrow.

JÁVEA Historical WALK


Explore and Learn About JÁVEA by visiting its historical architecture and monuments 
* Guide * Arts Historian, Educator & Author - Karla Ingleton Darocas, B.A. (Hons) 

BOOKING INFO & FORM

ANTONI GAUDI * Part Two * Lecture & Slideshow

 
EVENT DETAILS 
Monday, November 17, 2025
17:00 H - 5pm
10€ Donation
BENITACHELL
(Boardroom of Benitachell Properties SL)
Carrer Pare Plácido, 57, 03726



INTRODUCTION


Discover Sorolla: Bancaja Foundation


THIS OCTOBER 2025, we have a very special opportunity to continue our exploration of Joaquín Sorolla’s art outside the classroom. As many of you know, the Sorolla Museum in Madrid is temporarily closed for renovation and expansion. Because of this, an extraordinary collection of Sorolla’s masterpieces will be traveling to Valencia for a once-in-a-lifetime exhibition at the Bancaja Foundation, opening on October 3, 2025.

The exhibition will bring 60 of Sorolla’s most representative masterpieces, including two of my all-time favorites such as Paseo a la orilla del mar (Walk by the Sea) and El baño del caballo (The Horse’s Bath). These are rarely shown outside the Sorolla Museum, so to see them in Valencia is truly fabulous. 

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APPRECIATE ART & CULTURE * LOVE SPAIN
Resource Books written by
Karla Ingleton Darocas 
and published by
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The Silent Suffering of Childhood in Sorolla's Spain


DURING THE PERIOD of the great Valencian painter and humanist Joaquín Sorolla (1863-1923), children's health and social problems were an important issue, and his artwork reflects the harsh realities faced by the most vulnerable members of society. Sorolla's compassionate and often stark portrayals of sick or impoverished children, such as in "Sad Inheritance" (1899), served as a powerful form of social commentary, bringing to light the devastating effects of diseases like polio.

El Beso and Ferrándiz Bádenes

BREAKING NEWS!

The Bancaja Foundation of Valencia has extended the fabulous exhibition “Scenes and Landscapes in Valencian Painting. 19th and 20th Centuries”, which opened on May 9, 2025, until October 19, 2025!

This is such an exciting opportunity to dive into the rich world of Valencian art and experience masterpieces up close. 

Among the incredible works on display is El Beso by Bernardo Ferrándiz Bádenes, a painting that captures all the warmth, tradition, and storytelling of the costumbrista style.

DO YOU KNOW ABOUT XÀBIA’S CORDELEROS?


WHEN I AM taking participants on my walking class around the old town of Xàbia (Jávea Historical Walk), I often remember to tell them about the hemp industry that was once a thriving part of village life. 

WHAT WAS CLOTILDE WEARING ON HER STROLL THROUGH THE KING’S GARDENS?


In the summer of 1907, Joaquín Sorolla moved with his entire family to La Granja de San Ildefonso, where he had been commissioned to paint a portrait of King Alfonso XIII. During this stay, Sorolla also captured a portrait of his wife, Clotilde, dressed in the latest Parisian Belle Époque fashions, as she leisurely strolled through the palace gardens. 

Sorolla’s Patriotic Scene

 
“The Cry of Palleter ” 1884, oil on canvas, 
152 x 202 cm. Valencia Provincial Council.

AT THE CENTRO CULTURAL BANCAJA in Valencia, I found myself once again face to face with Joaquín Sorolla’s El grito del Palleter (The Cry of the Palleter), painted in 1884. It was included in the exhibition Scenes and Landscapes in Valencian Painting. 19th and 20th Centuries, a marvelous collection of works that shows the breadth of romantic and realist traditions in Valencian art.

Tribute to the Toil of the Reapers


RECENTLY, when I was at a fabulous art show in Valencia, I got to witness up close the grandeur of a social realist and luminous painting by Vicent Castell i Domènech (1871–1934). It struck me immediately as a tribute to the value, suffering, and eventual uprising of the Catalonian reapers.