Discover Sorolla: Bancaja Foundation


THIS OCTOBER 2025, we have a very special opportunity to continue our exploration of Joaquín Sorolla’s art outside the classroom. As many of you know, the Sorolla Museum in Madrid is temporarily closed for renovation and expansion. Because of this, an extraordinary collection of Sorolla’s masterpieces will be traveling to Valencia for a once-in-a-lifetime exhibition at the Bancaja Foundation, opening on October 3, 2025.

The exhibition will bring 60 of Sorolla’s most representative masterpieces, including two of my all-time favorites such as Paseo a la orilla del mar (Walk by the Sea) and El baño del caballo (The Horse’s Bath). These are rarely shown outside the Sorolla Museum, so to see them in Valencia is truly fabulous. 

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The Silent Suffering of Childhood in Sorolla's Spain


DURING THE PERIOD of the great Valencian painter and humanist Joaquín Sorolla (1863-1923), children's health and social problems were an important issue, and his artwork reflects the harsh realities faced by the most vulnerable members of society. Sorolla's compassionate and often stark portrayals of sick or impoverished children, such as in "Sad Inheritance" (1899), served as a powerful form of social commentary, bringing to light the devastating effects of diseases like polio.

El Beso and Ferrándiz Bádenes

BREAKING NEWS!

The Bancaja Foundation of Valencia has extended the fabulous exhibition “Scenes and Landscapes in Valencian Painting. 19th and 20th Centuries”, which opened on May 9, 2025, until October 19, 2025!

This is such an exciting opportunity to dive into the rich world of Valencian art and experience masterpieces up close. 

Among the incredible works on display is El Beso by Bernardo Ferrándiz Bádenes, a painting that captures all the warmth, tradition, and storytelling of the costumbrista style.

DO YOU KNOW ABOUT XÀBIA’S CORDELEROS?


WHEN I AM taking participants on my walking class around the old town of Xàbia (Jávea Historical Walk), I often remember to tell them about the hemp industry that was once a thriving part of village life. 

WHAT WAS CLOTILDE WEARING ON HER STROLL THROUGH THE KING’S GARDENS?


In the summer of 1907, Joaquín Sorolla moved with his entire family to La Granja de San Ildefonso, where he had been commissioned to paint a portrait of King Alfonso XIII. During this stay, Sorolla also captured a portrait of his wife, Clotilde, dressed in the latest Parisian Belle Époque fashions, as she leisurely strolled through the palace gardens.