Joaquín Sorolla Exhibition at the Fundación Bancaja, Valencia

Recently, I had the great pleasure of visiting the Joaquín Sorolla exhibition at the Fundación Bancaja in Valencia with nine of my students. It was a truly remarkable experience. For me, it was especially thrilling to encounter several paintings that have long remained in the Sorolla family’s private collection, works that earned recognition and awards in academic exhibitions not only in Spain but across Europe and the United States.

MASKS OF THE YOUNG PICASSO

I AM STRUCK by the composition and spatial distancing of the characters in Picasso’s 1900 painting, "Pierrot and Colombina", which creates an interplay that seems to mirror his own sense of being an outsider. Pierrot and Colombina, the central figures in this work, are not inventions of Picasso’s imagination but rather theatrical archetypes from the Italian Commedia dell’Arte, which migrated across Europe and became immensely popular in Paris by the late 19th century.

Picasso’s Child with a Dove

IN 1901, PABLO PICASSO was barely twenty years old, brilliant, ambitious, and already restless. He had left Spain to chase success in Paris, where modern art was reinventing itself in the cafés and galleries of Montmartre. But that same year, his closest friend, Carlos Casagemas, took his own life, a loss that left Picasso heartbroken and profoundly changed. Standing between youthful optimism and personal grief, he created Child with a Dove, a painting that captures both innocence and the first shadow of sorrow.