MONASTERY OFFERS A VAST ARRAY OF ARCHITECTURAL WONDERS
IRONY IS IN THE WASH
In this 1871 painting by Seville artist José Jiménez Aranda, a group of women are working on their laundry.
The folksy characters of the washerwomen still conform to the Romantic trend of reporting on the lives of ordinary hard-working citizens, but the narrative now demands more insight into the psychology of the characters and the irony of the situation.
** Report by Karla Ingleton Darocas (KarlaDarocas.com)
ART SAVES SPANISH TOWN AND SURPRISES THE WORLD!
THE MYSTERY OF EL GRECO'S PAINTING OF SAINT SEBASTIAN
In his illustrious career, El Greco painted Saint Sebastian three times. The last of his three portraits from 1610 to 1614 found its way into the Prado Museum - but in two parts. Why?
Report by Karla Darocas, Hons. B. A. (KarlaDarocas.com) for SpainLifestyle.com
EL GRECO'S TINY TRIBUTE TO THE FATHER OF THE SACRED FAMILY
Why is El Greco's painting, the Flight into Egypt, c. 1570, so special? It is only a small oil painting on a prepared pine panel. It is mainly a landscape depiction with the Holy Family as figures in it. It shows El Greco's newly acquired knowledge of the Venetian style of painting, which was popular at the time due to the great Venetian master Titian.
A TRIBUTE TO A VICTORIOUS VALENCIANO - José de Ribera (1591-1652)
FAMOUS ANCIENT VALENCIANOS - Peter Paschal
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| Painting by Valencian Master * Jerónimo Jacinto de Espinosa | 
A GENUINE MIRACLE OF NATURE * La Mujer Barbuda by Jusepe de Ribera
THE ORIGIN OF COCA-COLA IS SPANISH?
MARVEL IN THE MYSTERY AND FACE THE FAMOUS RELIC OF ALICANTE
DECORATIVE AND DISTINCTLY HISPANIC IN SUECA
Article by Karla Ingleton Darocas, (KarlaDarocas.com) (c) SpainLifestyle.com
SOROLLA'S GREATEST CHALLENGE WAS FACING THE LIGHT OF NATURE
ALTHOUGH OUTDOOR PAINTING was already fashionable in Sorolla’s time, it was only after the turn of the century that he fully embraced it. For Sorolla, painting outdoors was both exhilarating and challenging. It demanded working quickly, often in unpredictable weather, while capturing fleeting effects of light before they disappeared. Yet it was precisely this light that became central to his art. More than just illumination, light shaped colour, atmosphere, and emotion in his paintings, making it the driving force of his artistic vision.
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THE ENIGMA Dionisio Fierros (1827-1894) was a Spanish Romantic painter who painted a “Vanitas”, an allegorical still life, for the Marquis ...
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One of the most enduring and frequently depicted themes in the history of art—especially in the Western tradition—is the image of the moth...

 









 
 
